Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976). With Shakespeare’s Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community.Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds.More broadly, Cantor places Shakespeare’s plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare’s works. In a
Donald Strong's book traces the development of Roman art from its beginnings to the end of the 4th century A.D., embracing the monuments of the Republic and then of the later Roman world, which extend
The River Nile fascinated the Romans and appeared in maps, written descriptions, texts, poems and paintings of the developing empire. Tantalised by the unique status of the river, explorers were sent to find the sources of the Nile, while natural philosophers meditated on its deeper metaphysical significance. Andy Merrills' book, Roman Geographies of the Nile, examines the very different images of the river that emerged from these descriptions - from anthropomorphic figures, brought repeatedly into Rome in military triumphs, through the frequently whimsical landscape vignettes from the houses of Pompeii, to the limitless river that spilled through the pages of Lucan's Civil War, and symbolised a conflict - and an empire - without end. Considering cultural and political contexts alongside the other Niles that flowed through the Roman world in this period, this book provides a wholly original interpretation of the deeper significance of geographical knowledge during the later Roman Repub
The River Nile fascinated the Romans and appeared in maps, written descriptions, texts, poems and paintings of the developing empire. Tantalised by the unique status of the river, explorers were sent to find the sources of the Nile, while natural philosophers meditated on its deeper metaphysical significance. Andy Merrills' book, Roman Geographies of the Nile, examines the very different images of the river that emerged from these descriptions - from anthropomorphic figures, brought repeatedly into Rome in military triumphs, through the frequently whimsical landscape vignettes from the houses of Pompeii, to the limitless river that spilled through the pages of Lucan's Civil War, and symbolised a conflict - and an empire - without end. Considering cultural and political contexts alongside the other Niles that flowed through the Roman world in this period, this book provides a wholly original interpretation of the deeper significance of geographical knowledge during the later Roman Repub
Essays by an international team of scholars in Latin literature and ancient philosophy explore the understanding of emotions (or 'passions') in Roman thought and literature. Building on work on Hellenistic theories of emotion and on philosophy as therapy, they look closely at the interface between ancient philosophy (especially Stoic and Epicurean), rhetorical theory, conventional Roman thinking and literary portrayal. There are searching studies of the emotional thought-world of a range of writers including Catullus, Cicero, Virgil, Seneca, Statius, Tacitus and Juvenal. Issues of debate such as the ethical colour of Aeneas's angry killing of Turnus at the end of the Aeneid are placed in a broad and illuminating perspective. Written in clear and non-technical language, with Greek and Latin translated, the volume opens up a fascinating area on the borders of philosophy and literature.
Essays by an international team of scholars in Latin literature and ancient philosophy explore the understanding of emotions (or 'passions') in Roman thought and literature. Building on work on Hellenistic theories of emotion and on philosophy as therapy, they look closely at the interface between ancient philosophy (especially Stoic and Epicurean), rhetorical theory, conventional Roman thinking and literary portrayal. There are searching studies of the emotional thought-world of a range of writers including Catullus, Cicero, Virgil, Seneca, Statius, Tacitus and Juvenal. Issues of debate such as the ethical colour of Aeneas's angry killing of Turnus at the end of the Aeneid are placed in a broad and illuminating perspective. Written in clear and non-technical language, with Greek and Latin translated, the volume opens up a fascinating area on the borders of philosophy and literature.
An introduction to the daily life of the population living in Britain from the end of the Iron Age to the end of the Roman occupation of the country, based on archaeological evidence and supported by
This collection of essays explores aspects of the reception of ancient Rome in a number of European countries from the late eighteenth century to the end of the Second World War. Rome has been made to stand for literary authority, republican heroism, imperial power and decline, the Catholic Church, the pleasure of ruins. The studies offered here examine some of the sometimes strange and unexpected places where Roman presences have manifested themselves during this period. Scholars from several disciplines, including English literature and history of art, as well as classics, bring to bear a variety of approaches on a wide range of images and texts, from statues of Napoleon to Freud's analysis of dreams. Rome's seemingly boundless capacity for multiple, indeed conflicting, signification has made it an extraordinarily fertile paradigm for making sense of - and also for destabilizing - history, politics, identity, memory and desire.
Egypt in the period from the reign of the emperor Constantine to the Arab conquest was both a vital part of the Late Roman and Byzantine world, participating fully in the culture of its wider Mediterranean society, and a distinctive milieu, launched on a path to developing the Coptic Christian culture that we see fully only after the end of Byzantine rule. This book is the first comprehensive survey of Egypt to treat this entire period including the first half-century of Arab rule. Twenty-one renowned specialists present the history, society, economy, culture, religious institutions, art and architecture of the period. Topics covered range from elite literature to mummification and from monks to Alexandrian scholars. A full range of Egypt's uniquely rich source materials - literature, papyrus documents, letters, and archaeological remains - gives exceptional depth and vividness to this portrait of a society, and recent archaeological discoveries are described and illustrated.
Egypt in the period from the reign of the emperor Constantine to the Arab conquest was both a vital part of the Late Roman and Byzantine world, participating fully in the culture of its wider Mediterranean society, and a distinctive milieu, launched on a path to developing the Coptic Christian culture that we see fully only after the end of Byzantine rule. This book is the first comprehensive survey of Egypt to treat this entire period including the first half-century of Arab rule. Twenty-one renowned specialists present the history, society, economy, culture, religious institutions, art and architecture of the period. Topics covered range from elite literature to mummification and from monks to Alexandrian scholars. A full range of Egypt's uniquely rich source materials - literature, papyrus documents, letters, and archaeological remains - gives exceptional depth and vividness to this portrait of a society, and recent archaeological discoveries are described and illustrated.
Popular Culture in the Ancient World is the first book to provide an interdisciplinary study of the subject. Traditionally neglected by classical scholars, popular culture provides a new window through which we can view the ancient world. An international group of scholars tackles a fascinating range of subjects and objects - from dice oracles to dressing up, from toys to theological speculation. Diverse comparative and theoretical approaches are used alongside many different ancient sources to provide a wide-ranging and rigorous approach to ancient popular culture. After a substantive introduction, the book moves from classical Greece through the Roman Empire to end in the late antique world. It enriches our understanding of the ancient world as well as our conception of the legacy of the ancient world in our own.
Popular Culture in the Ancient World is the first book to provide an interdisciplinary study of the subject. Traditionally neglected by classical scholars, popular culture provides a new window through which we can view the ancient world. An international group of scholars tackles a fascinating range of subjects and objects - from dice oracles to dressing up, from toys to theological speculation. Diverse comparative and theoretical approaches are used alongside many different ancient sources to provide a wide-ranging and rigorous approach to ancient popular culture. After a substantive introduction, the book moves from classical Greece through the Roman Empire to end in the late antique world. It enriches our understanding of the ancient world as well as our conception of the legacy of the ancient world in our own.
For more than one thousand years, people from every corner of the Greco-Roman world sought the hope for a blessed afterlife through initiation into the Mysteries of Demeter and Kore at Eleusis. In antiquity itself and in our memory of antiquity, the Eleusinian Mysteries stand out as the oldest and most venerable mystery cult. Despite the tremendous popularity of the Eleusinian Mysteries, their origins are unknown. Because they are lost in an era without written records, they can only be reconstructed with the help of archaeology. This book provides a much-needed synthesis of the archaeology of Eleusis during the Bronze Age and reconstructs the formation and early development of the Eleusinian Mysteries. The discussion of the origins of the Eleusinian Mysteries is complemented with discussions of the theology of Demeter and an update on the state of research in the archaeology of Eleusis from the Bronze Age to the end of antiquity.
An acclaimed historian offers an optimistic view of the future of the United States in the light of Roman history Maybe the end of the American ascendancy is not upon us. Maybe the U.S. will continue
The Histories of Greek-born, Roman historian Polybius (c.200–118 BCE) are reissued here in two volumes. Comprising fragments of Books 10 to 39 (17, 19, and 37 are missing), a compendium of smaller fragments, and an extensive index, Volume 2 covers, inter alia, the Hannibalian War from 209 BCE, the characters of Scipio Africanus and Philip of Macedonia, the flawed historical method of Timaeus, the Siege of New Carthage, the end of the Second Punic War, and the overthrow of Agathocles. Undertaken by the classicist Evelyn Shuckburgh (1843–1906), this first complete English translation (utilising F. Hultsch's 1867–72 Greek text) was published in 1889. A tutor, and later librarian, at Emmanuel College, Cambridge, Shuckburgh produced school editions of Sophocles and Suetonius as well as short histories on the classical world. This highly readable translation has remained a fascinating historical account of the second and third centuries BCE.
The first of the nine volume Cambridge History of Christianity series, Origins to Constantine provides a comprehensive overview of the essential events, persons, places and issues involved in the emergence of the Christian religion in the Mediterranean world in the first three centuries. Over thirty essays written by scholarly experts trace this dynamic history from the time of Jesus through to the rise of Imperial Christianity in the fourth century. It provides thoughtful and well-documented analyses of the diverse forms of Christian community, identity and practice that arose within decades of Jesus's death, and which through missionary efforts were soon implanted throughout the Roman Empire. Origins to Constantine examines the distinctive characteristics of Christian groups in each geographical region up to the end of the third century, while also exploring the development of the institutional forms, intellectual practices and theological formulations that would mark Christian histo
The fall of Constantinople to the Ottomans in 1453 marked the end of a thousand years of the Christian Roman Empire. Thereafter, world civilisation began a process of radical change. The West came to
Ranging from the earliest settlements through the emergence of Minoan civilization to the barbarian world at the end of the Roman Empire, this extraordinary volume provides a fascinating look at how
Time is integral to human culture. Over the last two centuries people's relationship with time has been transformed through industrialisation, trade and technology. But the first such life-changing transformation – under Christianity's influence – happened in late antiquity. It was then that time began to be conceptualised in new ways, with discussion of eternity, life after death and the end of days. Individuals also began to experience time differently: from the seven-day week to the order of daily prayer and the festal calendar of Christmas and Easter. With trademark flair and versatility, world-renowned classicist Simon Goldhill uncovers this change in thinking. He explores how it took shape in the literary writing of late antiquity and how it resonates even today. His bold new cultural history will appeal to scholars and students of classics, cultural history, literary studies, and early Christianity alike.
