This book provides a general survey of Roman wall-painting from the second century BC through to the fourth century AD, tracing its origins, its chronological development, its subjects, its techniques
The publication of the Plates Volume to accompany the Cambridge Ancient History Volume III and that for Volume VII Part 1 inaugurates a new style and format for these books. The illustrations are now presented with a descriptive text and commentary, so that each chapter is a self-contained account of matters of archaeological and art-historical interest, relevant to the history of a period and place. The order of illustration is not always that of the chapters in the text volumes, but is determined by the material illustrated and the principal subjects it suggests. The intention is thus both to complement the text volumes and to provide an independent commentary on the material evidence of antiquity. The plates for Volume VII Part 1 covers the history and culture of the Hellenistic period from 323 to the first century B.C. Individual chapters deal with particular areas of the Hellenistic world - Ptolematic Egypt, the Seleucid kingdom, Bactria and India, Asia Minor, Macedonia, Greece an
This book, first published in 1991, is a general history of Roman painting written specifically for English-language readers. Large numbers of wall-paintings have survived from the Roman world, and particularly from Rome itself and from the cities of Pompeii, Herculaneum and Stabiae, buried in the eruption of Mount Vesuvius in AD 79. Their influence upon European artists of the Renaissance and Neo-Classical periods has been considerable. Recent research has provided a much clearer idea of the chronology of these paintings, of their sources of inspiration, and of their meaning to the various classes of patrons who commissioned them. All aspects of our knowledge are brought together in this survey. Among other topics the book discusses the so-called Four Pompeian Styles, their spread to the provinces, the broad developments in scheme, style and subject-matter which followed them, the factors which dictated the choice of particular subjects and the way in which they were represented, and
Roger Ling describes the day-to-day life of Pompeii's inhabitants on the eve of the fatal eruption in AD 79, as well as the eruption itself and its aftermath. The city was rediscovered in the late&nb
Axel Boethius's account begins about 1400 B.C. with the primitive villages of the Italic tribes. The scene was transformed by the arrival of the Greeks and by the Etruscans who by about 600 had Rome a
Donald Strong's book traces the development of Roman art from its beginnings to the end of the 4th century A.D., embracing the monuments of the Republic and then of the later Roman world, which extend
