Sabrina Orah Mark follows up her critically acclaimed debut, The Babies, winner of the Saturnalia Books Poetry Prize in 2004 chosen by Jane Miller, with a second collection of prose, Tsim Tsum, cente
Hadara Bar-Nadav’s radiant new collection of poetry, The New Nudity, shocks everyday objects to life. In these chiseled, electrically-charged poems, a ladder, wineglass, and spine ignite into be
Agudelo’s books have always been concerned with the relationship between worker and consumer, whether in the kitchens or in the neighborhood, but in The Bosses, his spectacular third outing, Agu
Poetry. Set in the vernacular origins of modernity, LIVE AT THE BITTER END puts the racialized logic of 20th century aesthetics on trial. Mixing anonymous voices with the testimonies of figures such a
Poetry. Each poem of I THINK I'M READY TO MEET FRANK OCEAN riffs on a Frank Ocean song, paying homage to the man but also investigating oceans, The Ocean, and the similarity between heartbreak and bre
Cortney Lamar Charleston’s debut collection looks unflinchingly at the state of race in twenty-first-century America. Today, as much as ever before, the black body is the battleground on which w
Derek Mong’s highly anticipated new poetry collection, The Identity Thief, is a gathering of voices borrowed and voices lost. These illuminating poems explore how one learns—in an effort t
