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Attention is often given to the performance of a text, but not to the shaping process behind that performance. The question of rehearsal is seldom confronted directly, though important textual moments

As well as 'play-makers' and 'poets', playwrights of the early modern period were known as 'play-patchers' because their texts were made from separate documents. This book is the first to consider all the papers created by authors and theatres by the time of the opening performance, recovering types of script not previously known to have existed. With chapters on plot-scenarios, arguments, playbills, prologues and epilogues, songs, staged scrolls, backstage-plots and parts, it shows how textually distinct production was from any single unified book. And, as performance documents were easily lost, relegated or reused, the story of a play's patchy creation also becomes the story of its co-authorship, cuts, revisions and additions. Using a large body of fresh evidence, Documents of Performance in Early Modern England brings a wholly new reading to printed and manuscript playbooks of the Shakespearean period, redefining what a play, and what a playwright, actually is.

As well as 'play-makers' and 'poets', playwrights of the early modern period were known as 'play-patchers' because their texts were made from separate documents. This book is the first to consider all the papers created by authors and theatres by the time of the opening performance, recovering types of script not previously known to have existed. With chapters on plot-scenarios, arguments, playbills, prologues and epilogues, songs, staged scrolls, backstage-plots and parts, it shows how textually distinct production was from any single unified book. And, as performance documents were easily lost, relegated or reused, the story of a play's patchy creation also becomes the story of its co-authorship, cuts, revisions and additions. Using a large body of fresh evidence, Documents of Performance in Early Modern England brings a wholly new reading to printed and manuscript playbooks of the Shakespearean period, redefining what a play, and what a playwright, actually is.

Making Shakespeare is a lively introduction to the major issues of the stage and print history, whilst also raising questions about what a Shakespeare play actually is. Tiffany Stern reveals how Londo

A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's dram

A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's dram

Performed at the Globe Theater in 1605, King Leir is presumed to be a prime source for Shakespeare. Although the story is the same, in this anonymous version the ending is happy. This is the first tim

This completely new edition of The Recruiting Officer contains a freshly-edited play text, with new annotations, in modern spelling. Tiffany Stern's comprehensive and engaging introduction discusses t

A Jovial Crew, or the Merry Beggars, is a comedy about four noble lovers who join the beggar community for a pastoral life of dance and song. Or is it? Whilst maintaining its unremitting good humour,

The Country Wife is a satirical comedy, which exposes the immorality of Restoration society in a way that has been both condemned and admired since it was written.

A Jovial Crew, or the Merry Beggars, is a comedy about four noble lovers who join the beggar community for a pastoral life of dance and song. Or is it? Whilst maintaining its unremitting good humour,

Both Sheridan and Goldsmith lamented the popularity of sentimentalcomedy in the later eighteenth century and wrote their witty andsatirical plays (though never lascivious in the manner of Restorationc

A landmark collection of essays by leading scholars, giving a sustained analysis of theatre technologies in early modern England and how they effected the drama of the time.

A landmark collection of essays by leading scholars, giving a sustained analysis of theatre technologies in early modern England and how they effected the drama of the time.