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Introduces Italian Renaissance art. This book tells the story of art in the great centres of Rome, Florence and Venice while profiling a range of other cities and sites throughout Italy. It presents t

While the masterpieces of the Italian Renaissance are usually associated with Italy’s historical seats of power, some of the era’s most characteristic works are to be found in places other

This book considers the reception of the early modern culture of Florence, Rome, and Venice in other centers of the Italic peninsula, such as Ferrara, Bologna, Ancona, San Gimignano, and Pistoia, which had flourishing local cultures of their own. Offering a perspective that focuses on dialogue and exchange between different urban centers and cultural groups, it also involves a reexamination of the Renaissance itself as a form of translation of a past culture, one that attempted to assimilate the lost or fragmentary world of the Roman emperors, the Greek Platonists, and the ancient Egyptians. Collectively the essays examine how the processes of cultural self-definition varied between the Italian urban centers in the early modern period, well before the formation of a distinct Italian national identity. Exploring how artistic forms made the transition from one Italian city to another, attention is also focused on the subtle modification of practice required by local conditions and priori

Drawing on the most recent scholarship, this book is accessible to students and non-specialist readers, telling the story of art in the great centers of Rome, Florence, and Venice, while profiling a r

Drawing on the most recent scholarship, this book is accessible to students and non-specialist readers, telling the story of art in the great centers of Rome, Florence, and Venice, while profiling a r

Drawing on the most recent scholarship, this book is accessible to students and non-specialist readers, telling the story of art in the great centers of Rome, Florence, and Venice, while profiling a r

Andrea Mantegna: Making Art (History) presents the art of Mantegna as challenging the parameters of the history of art in the demands it makes upon historical interpretation, and explores the artist’s

Campbell and Cole, respected teachers and active researchers, draw on traditional and current scholarship to present complex interpretations in this new edition of their engaging account of Italian Re

Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the seco

Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the seco

Provides students and practitioners with a clear, concise introduction to the statistics they will come across in their regular reading of clinical papers. Written by three experts with wide teach

Abbey Chase is renowned across the globe as a brilliant young archaeologist and (a bit less renowned) as a member of the super-secret spy organization known as Danger. But what set of circumstances le

No story is more central to Western culture than the crucifixion of Jesus Christ in the New Testament, and none better demonstrates the power of representation in shaping religious faith and practice.

According to The Book of Discipline, Wesley believed that the "living core of the Christian faith" is revealed in Scripture, illumined by tradition, "vivified" by personal experience, and confirmed by