Veenapani Chawla is arguably the only practitioner of theatre in India who has fully articulated a theory of the theatre she practices. Exploring her Mumbai plays, the springboard of her later works,
History-travelogue-autobiography, Mazha Pravas is all of these, none of these and a bit of each, being the first eyewitness Indian account of the upheavals and changing fortunes during the Rebellion o
