Designed for students, scholars and general readers with an interest in dance and queer history, A Queer History of the Ballet focuses on how, as makers and as audiences, queer men and women have help
This 1992 book traces the ways in which Mark Twain was formed by, and sought to manipulate, the ideology of gender. Feminine and masculine values exist via their opposition to and interplay with each other, and Twain, a representative masculine figure, provides a useful focal point for an exploration of the subject. Not only did Twain address himself directly to the conflicting and complementary aspects of gendered culture, but his models of history are strongly marked by the same issue: his exploitation of North/male - South/female associations is investigated, as well as the significance of individual figures such as Joan of Arc. Stoneley considers the range of Twain's writing, including classic works such as Adventures of Huckleberry Finn, genteel fiction such as The Prince and the Pauper and embittered autobiographical fragments. Stoneley goes beyond generalizations to provide a detailed analysis; his book will be of interest to scholars and students of American literature
Why did the figure of the girl come to dominate the American imagination from the middle of the nineteenth century into the twentieth? In Consumerism and American Girls' Literature Peter Stoneley looks at how women fictionalized for the girl reader the ways of achieving a powerful social and cultural presence. He explores why and how a scenario of 'buying into womanhood' became, between 1860 and 1940, one of the nation's central allegories, one of its favourite means of negotiating social change. From Jo March to Nancy Drew, girls' fiction operated in dynamic relation to consumerism, performing a series of otherwise awkward manoeuvres: between country and metropolis, uncouth and unspoilt, modern and anti-modern. Covering a wide range of works and authors, this book will be of interest to cultural and literary scholars alike.
Why did the figure of the girl come to dominate the American imagination from the middle of the nineteenth century into the twentieth? In Consumerism and American Girls' Literature Peter Stoneley looks at how women fictionalized for the girl reader the ways of achieving a powerful social and cultural presence. He explores why and how a scenario of 'buying into womanhood' became, between 1860 and 1940, one of the nation's central allegories, one of its favourite means of negotiating social change. From Jo March to Nancy Drew, girls' fiction operated in dynamic relation to consumerism, performing a series of otherwise awkward manoeuvres: between country and metropolis, uncouth and unspoilt, modern and anti-modern. Covering a wide range of works and authors, this book will be of interest to cultural and literary scholars alike.
Designed for students, scholars and general readers with an interest in dance and queer history, A Queer History of the Ballet focuses on how, as makers and as audiences, queer men and women have help
This 1992 book traces the ways in which Mark Twain was formed by, and sought to manipulate, the ideology of gender. Feminine and masculine values exist via their opposition to and interplay with each other, and Twain, a representative masculine figure, provides a useful focal point for an exploration of the subject. Not only did Twain address himself directly to the conflicting and complementary aspects of gendered culture, but his models of history are strongly marked by the same issue: his exploitation of North/male - South/female associations is investigated, as well as the significance of individual figures such as Joan of Arc. Stoneley considers the range of Twain's writing, including classic works such as Adventures of Huckleberry Finn, genteel fiction such as The Prince and the Pauper and embittered autobiographical fragments. Stoneley goes beyond generalizations to provide a detailed analysis; his book will be of interest to scholars and students of American literature
