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When the story of modernity is told from a theological perspective, music is routinely ignored - despite its pervasiveness in modern culture and the manifold ways it has been intertwined with modernit

When the story of modernity is told from a theological perspective, music is routinely ignored - despite its pervasiveness in modern culture and the manifold ways it has been intertwined with modernit

"A fine collection of probing and imaginative discussions on the relation between the Incarnation and the arts." --Nicholas Wolterstorff, Yale Divinity School

Even fallen humans compose beautiful symphonies, music that touches emotions as nothing else can. Resounding Truth shows Christians how to uncover the Gospel message found in the many melodies that s

Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.

Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.

How can the arts witness to the transcendence of the Christian God?It is widely believed that there is something transcendent about the arts, that they can awaken a profound sense of awe, wonder, and

To Barth, Bonhoeffer, and the Torrances, grace is not an abstract truth; it is reality itself. By God's revelation in Jesus Christ we are given the blessed assurance to know that all human beings are

"Art is often viewed as being inherently spiritual. But what does it mean to describe an experience of art or beauty as spiritual? Is there a relationship between the spiritual experience a person has

Synopsis: "The conversation between music and theology, dormant for too long in recent years, is at last gathering pace. And rightly so. There will always be theologians who will regard music as a som

Resonant Witness gathers together a wide, harmonious chorus of voices from across the musical and theological spectrum to show that music and theology can each learn much from the other— and tha

In hope, Christian faith reconfigures the shape of what is familiar in order to pattern the contours of God's promised future. In this process, the present is continuously re-shaped by ventures of hop

And all shall be well and all manner of things shall be well. In 1373, when she was 30 years old, Julian of Norwich received a series of 16 visions. Pondering in prayer their meaning for 20 years, she