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High Gothic: Christian Art & Iconography of the 13th–14th Century showcases classic examples of statuary, stained glass, diptychs, textiles and caskets that were used in the expression of Christian devotion in Western Europe.‘Gothic’ was originally a derogatory term coined by scholars during the Renaissance to describe the ‘barbaric’ medieval architecture that arose with the decline of the classical forms of the Roman Empire. The word is now understood to describe a style of buildings and objects created between the twelfth and fifteenth centuries which incorporate elements such as novel advances in masonry work and the characteristic ogival arch.The Gothic period saw an increased emphasis on the power of images, where vision became an active force for activating emotion and inspiring contemplation. The great cathedrals constructed in this period―with their thin walls and high vaults filled with statuary and stained-glass windows―were designed to evoke awe among visitors. The exqui

「輝煌的啟示 (貳)：十一世紀至十八世紀的亞美尼亞基督宗教手稿」集合一批精選典藏，包括合訂本，祈禱書卷軸，及來自東地中海地區的基督教福音書彩繪手抄本葉冊。亞美尼亞彩繪手抄本是中東基督教教會一些裝飾最為奢華的範例。福音書彩繪手抄本為其中之集大成者，這主要是因為亞美尼亞會衆極為尊崇聖經文本，其程度就如同希臘和俄羅斯東正教徒對於聖像的尊崇。這些手抄本經常被亞美尼亞的統治者們携入戰場，一些福音書的複製單品

This catalogue accompanies the University Museum and Art Gallery's exhibition of "Picasso Ceramics" from the Nina Miller Collection, which provides a unique opportunity to study the sculptural qualiti

This catalogue is published to coincide with the UMAG exhibition Ying Tianqi: What Remains in Ruins, an exhibition featuring mixed-media work printed with water-soluble ink on paper, oils, a video pro

《輝煌的啟示》展出了一系列來自麥卡錫蒐藏的基督宗教泥金插畫手繪本，時間自哥德盛期至文藝復興盛期（一二五零年至一五四零年），此類微繪體現著插畫藝術的才華與文化。在一四五四年左右約翰內斯‧古騰堡引入印刷機之前，品種豐富的手抄卷本以及一些最優秀的泥金插畫手繪本的製作已遍佈歐洲。這些特別的插畫取自《聖經》、《時禱書》與《聖詩集》，例證了一種由哥德式轉向文藝復興式的線條風格轉變，這種轉變在建築與繪畫中尤為明