Containing individual masterpieces by Botticelli, da Vinci, Michelangelo and Titian, the extensive collection of Italian drawings at the Fitzwilliam Museum ranges from the work of Pisanello in the early fifteenth century to Sandro Chia in the twentieth. This catalogue provides access to the eclectic collection in its entirety, featuring over 800 entries and 1400 colour illustrations. Spanish masterpieces by Ribera and Goya are also included. The collection was largely acquired in the twentieth century, mainly by the gift and benefaction of private individuals, and the introduction details the historical development of the collection. Special features include a sketch-book drawn in and around Paris in 1640 by Stefano della Bella and eighteenth-century Venetian drawings by the Tiepolo family. Later sketch-books of Italian costumes and an album of views in and around Naples at the time of the eruption of Vesuvius in 1822 bear witness to the development of tourism in Italy.
This Handbook illustrates a selection of drawings of flowers from the collection at the Fitzwilliam Museum. The book is arranged chronologically and ranges from the fifteenth century to the present day. Beginning with illustrations from the borders and backgrounds of illuminated manuscripts, the selection traces the form through attempts at accurate delineation of form during the Renaissance to the more scientific approach of the later seventeenth and early eighteenth centuries. It concludes with several contemporary examples of flower drawings to show that the tradition continues. The illustrations bring out the stunning detail and colour characteristic of the art-form.
Five of the essays in this collection of seven essays are based on lectures delivered at the Miller Symposium on Jewish Life in Nazi Germany, held at the University of Vermont. The contributors are le
German Jews faced harsh dilemmas in their responses to Nazi persecution, partly a result of Nazi cruelty and brutality but also a result of an understanding of their history and rightful place in Germ
Howard Hodgkin (b. 1932) is among the most important artists working in Britain today. Nominally abstract, his paintings are, in his words, "representational pictures of emotional situations." Sumptuo
