One of only a handful of extant works attributed to the Master of the Stotteritz Altarpiece, this small panel is a fine example of the heightened realism that characterized fifteenth-century Northern
In this lavishly illustrated study, Areford (art history, University of Massachusetts, Boston) invites the reader to view late medieval prints as they were intended to be seen. Starting with paintings
The 14 essays of this volume were solicited in honor of the retirement of Hindman, an art historian, from Northwestern U. in Chicago. The essays consider various medieval manuscripts, with a focus on
This highly anticipated and beautifully illustrated book examines the evolution of early printmaking in late medieval Europe. Through their means of production and the evidence of their utility, print