三民網路書店 / 搜尋結果

The Library at Trinity College, designed by Sir Christopher Wren and completed in 1695, is known all over the world for its books, its architecture, and its sculpture. This fully illustrated volume ex

This is the first of three volumes concerning the history of the oldest press in the world, a history that extends from the sixteenth century to the present day. Although there was, briefly, a press at Cambridge in the early 1520s, the origins of the modern University Press spring from a charter granted to the University by Henry VIII in 1534, to provide for printers who would be able to work outside London and serve the University. In the event no book was printed until fifty years later, but from 1583 to the present the line of University Printers stretches in unbroken succession. Covering the period from the Reformation to the end of the seventeenth century, and drawing on a wealth of unpublished or unfamiliar materials, this volume explores the University's attitude to its Printers, the books they chose to print, and the circumstances in which they worked. For the first time, the early history of the Press is set in its context - of authors, University authorities, and readers, and

The years 1830–1914 witnessed a revolution in the manufacture and use of books as great as that in the fifteenth century. Using new technology in printing, paper-making and binding, publishers worked with authors and illustrators to meet ever-growing and more varied demands from a population seeking books at all price levels. The essays by leading book historians in this volume show how books became cheap, how publishers used the magazine and newspaper markets to extend their influence, and how book ownership became universal for the first time. The fullest account ever published of the nineteenth-century revolution in printing, publishing and bookselling, this volume brings The Cambridge History of the Book in Britain up to a point when the world of books took on a recognisably modern form.

The years 1830–1914 witnessed a revolution in the manufacture and use of books as great as that in the fifteenth century. Using new technology in printing, paper-making and binding, publishers worked with authors and illustrators to meet ever-growing and more varied demands from a population seeking books at all price levels. The essays by leading book historians in this volume show how books became cheap, how publishers used the magazine and newspaper markets to extend their influence, and how book ownership became universal for the first time. The fullest account ever published of the nineteenth-century revolution in printing, publishing and bookselling, this volume brings The Cambridge History of the Book in Britain up to a point when the world of books took on a recognisably modern form.

This second volume, a companion to the first by J. C. T. Oates, takes the history of the Library from the time of the Copyright Act of Queen Anne and the gift by King George I of the celebrated book collection of John Moore, Bishop of Ely, to the end of the nineteenth century when the Library's place within the University and in the scholarly world as a whole was well established. David McKitterick examines how the Library responded to educational reforms, charts the way in which the collections grew in relation to the changing preoccupations of Librarians and dons and shows how the needs of undergraduates were answered in an international research library. The book sheds light on the background to the erection of three of Cambridge's most notable buildings: the Senate House, the East Front of the Old School, and C. R. Cockerell's uncompleted new library. Throughout, it is based not only on the author's intimate knowledge of the collections, but also on a thorough - and often

As we rely increasingly on digital resources, and libraries discard large parts of their older collections, what is our responsibility to preserve 'old books' for the future? David McKitterick's lively and wide-ranging study explores how old books have been represented and interpreted from the eighteenth century to the present day. Conservation of these texts has taken many forms, from early methods of counterfeiting, imitation and rebinding to modern practices of microfilming, digitisation and photography. Using a comprehensive range of examples, McKitterick reveals these practices and their effects to address wider questions surrounding the value of printed books, both in terms of their content and their status as historical objects. Creating a link between historical approaches and the emerging technologies of the future, this book furthers our understanding of old books and their significance in a world of emerging digital technology.

This magisterial study re-examines fundamental aspects of what has been termed the printing revolution of the early modern period. David McKitterick argues that many of the changes associated with printing were only gradually absorbed over almost 400 years, a much longer period than usually suggested. From the 1450s onwards, the printed word and image became familiar in most of Europe. For authors, makers of books, and readers, manuscript and print were henceforth to be understood as complements to each other, rather than alternatives. But while printing seems to offer more textual and pictorial consistency than manuscripts, this was not always the case. McKitterick argues that book history and bibliography have been dominated by notions of the uses of the early printed book that did not come into existence until the late nineteenth century, and he invites his readers to work forward from the past, rather than backwards into it.

As we rely increasingly on digital resources, and libraries discard large parts of their older collections, what is our responsibility to preserve 'old books' for the future? David McKitterick's lively and wide-ranging study explores how old books have been represented and interpreted from the eighteenth century to the present day. Conservation of these texts has taken many forms, from early methods of counterfeiting, imitation and rebinding to modern practices of microfilming, digitisation and photography. Using a comprehensive range of examples, McKitterick reveals these practices and their effects to address wider questions surrounding the value of printed books, both in terms of their content and their status as historical objects. Creating a link between historical approaches and the emerging technologies of the future, this book furthers our understanding of old books and their significance in a world of emerging digital technology.

When does a book that is merely old become a rarity and an object of desire? David McKitterick examines, for the first time, the development of the idea of rare books, and why they matter. Studying examples from across Europe, he explores how this idea took shape in the sixteenth and seventeenth centuries, and how collectors, the book trade and libraries gradually came together to identify canons that often remain the same today. In a world that many people found to be over-supplied with books, the invention of rare books was a process of selection. As books are one of the principal means of memory, this process also created particular kinds of remembering. Taking a European perspective, McKitterick looks at these interests as they developed from being matters of largely private concern and curiosity, to the larger public and national responsibilities of the first half of the nineteenth century.

When does a book that is merely old become a rarity and an object of desire? David McKitterick examines, for the first time, the development of the idea of rare books, and why they matter. Studying examples from across Europe, he explores how this idea took shape in the sixteenth and seventeenth centuries, and how collectors, the book trade and libraries gradually came together to identify canons that often remain the same today. In a world that many people found to be over-supplied with books, the invention of rare books was a process of selection. As books are one of the principal means of memory, this process also created particular kinds of remembering. Taking a European perspective, McKitterick looks at these interests as they developed from being matters of largely private concern and curiosity, to the larger public and national responsibilities of the first half of the nineteenth century.

The standard work of reference on the whole of Europe, east and west, during the thirteenth century.

The second part of the volume is about the course of events--ecclesiastical and secular--with regard to the papacy, the western empire (mainly Germany), Italy, France, Spain, the British Isles, Scandi

The Trinity Apocalypse has long been considered the finest manuscript of its kind. Containing the text of the Book of Revelation, accompanied by a commentary and a remarkable series of illustrations t

Written by leading international scholars and incorporating the very latest research, the Cambridge Medieval History is the essential reference tool for anyone interested in the medieval world. Origin