From Sylvia Plath’s depictions of the Holocaust as a group of noncohering “bits” to AIDS elegies’ assertions that the dead posthumously persist in ghostly form and Susan Howe’s insistence that the pas
Overheard Voices examines poetic address and in particular apostrophe (the address of absent or inanimate others) in the work of four post-World War II American poets, with a focus on loss, desire, fi
The News from Poems examines a subgenre of recent American poetry that closely engages with contemporary political and social issues. This “engaged” poetry features a range of aesthetics and focuses o
The News from Poems examines a subgenre of recent American poetry that closely engages with contemporary political and social issues. This “engaged” poetry features a range of aesthetics and focuses o
Fourteen papers presented by Kenniston (U. of Nevada) and Quinn (Harvard U.) conduct readings of direct and indirect representations of the September 11th attacks in literature. The papers are organiz
"This anthology offers a comprehensive look at contemporary American poetry, demonstrating that poets are moving at once toward a new engagement with public concerns and toward a focus on the problems
Drawing on trauma theory, genre theory, political theory, and theories of postmodernity, space, and temporality, Literature After 9/11 suggests ways that these often distinct discourses can be recombi