"Ex-Cinema offers lucid and mesmerizing readings of a broad spectrum of avant-garde films and videos, ranging from Derek Jarman's Blue to Martin Arnold's and Matthias Muller's very different found foo
Cinema without Reflection traces an implicit film theory in Jacques Derrida’s oeuvre, especially in his frequent invocation of the myth of Echo and Narcissus. Derrida’s reflections on the economies of
Dreams, x-rays, atomic radiation, and “invisible men” are phenomena that are visual in nature but unseen. Atomic Light (Shadow Optics) reveals these hidden interiors of cultural life, the
WHAT DOES IT MEAN for film and video to be experimental? In this collection of essays framed by the concept "ex-"---meaning from, outside, and no longer--- Akira Mizuta Lippit explores the aesthetic,
