Sergio Larrain (1931-2012) crossed the photographic universe like a meteorite. After much travelling, his concern for purity and his attraction to meditation led him to withdraw to the Chilean country
Compares the work of two forefront twentieth-century photographers, discussing their shared 1935 exhibit at the Julien Levy Gallery in New York, their parallel achievements in America between 1929 and
Henri Cartier-Bresson (1908–2004) was perhaps the finest and most influential image maker of the twentieth century, and his portraits are among his best-known work. Over a fifty-year period, he photog
Published in its entirety for the first time, a memorial volume of the late iconic photographer''s famous 1940s scrapbook features restored images of his prints and showcases the pieces hand-selected
A man shrouded in mystery, Sergio Larrain (1931–2012) could be called a photographer’s photographer. Assuming the perspective of a vagabond, the Chilean captured breathtaking images, largely working
