Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of
From the travails of art critical language in the late eighteenth century to the upheaval of the Paris Commune of 1871, from neo-classical art criticism to the Paris Commune of 1871, from Bizet’s Carm
Whether it's his series of life-size black paper constructions of black celebrities or his use of flowerpots and toys to represent people of color, Merali explores and questions the relationship betwe
