商品簡介
Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparatesubjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos,architectural models, closed-circuit installations, and glass pavilions. Graham, who came of ageduring the emergence of earth art, minimalism, and conceptualism, has situated his work on theborders between these different strains of contemporary practice. Although varying widely in subjectand medium, Graham's artwork and writings display a consistent interest in spectatorship,public-private relationships, and the constructed environment. Graham's extensive writings on hisown work (collected in Rock My Religion and Two-Way Mirror Power, both published by the MIT Press)have made him, by default, the primary interpreter of his own art. This October Files volumeprovides a counterweight, gathering key texts by critics and theorists that offer alternativeaccounts of Graham's art. The essays span thirty years and include hard-to-find texts fromexhibition catalogs and journals. The authors include such distinguished theorists, critics, andartists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.
作者簡介
Alex Kitnick, a PhD candidate in the Department of Art andArchitecture at Princeton University, has taught at the School of Visual Artsand Vassar College.
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