october files - 三民網路書店

1.Isa Genzken

作者：Lisa Lee 出版社：Mit Pr 出版日：2015/01/23 裝訂：精裝

Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, G

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2.Gabriel Orozco

作者：Yve-Alain Bois; Benjamin H. D. Buchloh ; Jean Fisher ; Guy Brett ; Molly Nesbit 出版社：Mit Pr 出版日：2009/08/14 裝訂：平裝

Gabriel Orozco's work is sometimes considered uncategorizable; but his sculpture, photography, drawing, collage, and installations are unified by their devotion to the antispectacular, to the everyda

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3.Robert Morris

作者：Julia Bryan-Wilson 出版社：Mit Pr 出版日：2013/08/09 裝訂：精裝

This October Files volume gathers essays, an interview, and a roundtable discussionon the work of Robert Morris, one of the most influential American artists of the postwar period. Itincludes a little

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4.Claes Oldenburg

作者：Nadja Rottner 出版社：Mit Pr 出版日：2012/02/03 裝訂：精裝

Claes Oldenburg (born in 1929) is largely known today as a pop art sculptor.Oldenburg himself described his formless canvas and vinyl soft sculptures--gigantic hamburgers andice cream cones, cushiony

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5.Louise Lawler

作者：Helen Molesworth; Taylor Walsh 出版社：Mit Pr 出版日：2013/02/08 裝訂：精裝

Louise Lawler has devoted her art practice to investigating the life cycle of artobjects. Her photographs depict art in the collector's home, the museum, the auction house, and thecommercial gallery,

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6.William Kentridge

作者：Rosalind E. Krauss 出版社：Mit Pr 出版日：2017/02/10 裝訂：精裝

Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying h

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7.Hans Haacke

作者：Rachel Churner 出版社：Mit Pr 出版日：2015/09/04 裝訂：精裝

For five decades, the artist Hans Haacke (b. 1936) has created works that explore the social, political, and economic underpinnings of the production of art. His works make plain the hidden and not-so

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8.Dan Graham

作者：Alex Kitnick 出版社：Mit Pr 出版日：2011/01/28 裝訂：精裝

Since the 1960s, Dan Graham’s heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectura

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9.Bruce Nauman

作者：Taylor Walsh; George Baker; Yve-Alain Bois; Benjamin H. D. Buchloh; Leah Dickerman 出版社：Mit Pr 出版日：2018/10/16 裝訂：精裝

Essential texts on the work of Bruce Nauman, spanning the five decades of the artist's career. This volume collects essential texts on the work of Bruce Nauman (b. 1941), an artist of exceptional ra

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10.Mary Kelly

作者：Mignon Nixon 出版社：Mit Pr 出版日：2016/09/16 裝訂：精裝

Forthcoming in Fall 2016.

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11.Roy Lichtenstein

作者：Graham Bader 出版社：Mit Pr 出版日：2009/02/20 裝訂：精裝

Roy Lichtenstein's popular appeal--and his influence on pop culture, seen ineverything from greeting cards to sitcoms--at times overshadows his importance to contemporary art.Yet, examined on its own

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12.Michael Asher

作者：Jennifer King 出版社：Mit Pr 出版日：2016/02/05 裝訂：精裝

During a career that spanned more than forty years, from the late 1960s until his death in 2012, Michael Asher created site-specific installations and institutional interventions that examined the con

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13.Sherrie Levine

作者：Howard Singerman 出版社：Mit Pr 出版日：2018/09/04 裝訂：精裝

Texts—including essays, reviews, and statements by the artist—on the work of Sherrie Levine.The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famou

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14.John Knight

作者：AndrT Rottmann 出版社：Mit Pr 出版日：2014/02/07 裝訂：精裝

For more than four decades, the elusive but influential Los Angeles-based artist JohnKnight has developed a practice of site specificity that tests both architectural and ideologicalboundaries of the

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15.Hollis Frampton

作者：Michael Zryd 出版社：Mit Pr 出版日：2022/03/15 裝訂：平裝

The first collection of critical writing on the work of experimental filmmaker Hollis Frampton.Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work. It complements On the Camera Arts and Consecutive Matter, published in the MIT Press’s Writing Art series, which collected Frampton’s own writings. October was as central to Frampton as he was to it. He was both a frequent contributor―appearing in the first issue in 1976―and a frequent subject of contributions by others. Some of these important and incisive writings on Frampton’s work are reprinted here. The essays collected in this volume consider

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16.Louise Lawler

作者：Helen Molesworth ; Taylor Walsh 出版社：Mit Pr 出版日：2013/02/01 裝訂：平裝

Louise Lawler has devoted her art practice to investigating the life cycle of artobjects. Her photographs depict art in the collector's home, the museum, the auction house, and thecommercial gallery,

定價：873 元，優惠價：79 690

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17.John Knight

作者：AndrT Rottmann 出版社：Mit Pr 出版日：2014/02/07 裝訂：平裝

For more than four decades, the elusive but influential Los Angeles-based artist JohnKnight has developed a practice of site specificity that tests both architectural and ideologicalboundaries of the

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18.Hans Haacke

作者：Rachel Churner 出版社：Mit Pr 出版日：2015/09/04 裝訂：平裝

For five decades, the artist Hans Haacke (b. 1936) has created works that explore the social, political, and economic underpinnings of the production of art. His works make plain the hidden and not-so

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19.Isa Genzken

作者：Lisa Lee 出版社：Mit Pr 出版日：2015/01/16 裝訂：平裝

Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, G

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20.John Cage

作者：Julia Robinson; Heinz-Klaus Metzger; Konrad Boehmer; Yvonne Rainer; David W. Patterson 出版社：Mit Pr 出版日：2011/08/12 裝訂：平裝

John Cage (1912--1992) defined a radical practice of composition that changed thecourse of modern music and shaped a new conceptual horizon for postwar art. Famous for his use ofchance and "silence" i

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