theatre makers - 三民網路書店

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共106筆商品，6/6頁

101.A History of the Berliner Ensemble

作者：David Barnett 出版社：Cambridge Univ Pr 出版日：2015/03/31 裝訂：精裝

The Berliner Ensemble was founded by Bertolt Brecht and his wife Helene Weigel in 1949. The company soon gained international prominence, and its productions and philosophy influenced the work of theatre-makers around the world. David Barnett's book is the first study of the company in any language. Based on extensive archival research, it uncovers Brecht's working methods and those of the company's most important directors after his death. The book considers the boon and burden of Brecht's legacy, and provides new insights into battles waged behind the scenes for the preservation of the Brechtian tradition. The Berliner Ensemble was also the German Democratic Republic's most prestigious cultural export, attracting attention from the highest circles of government, and from the Stasi, before it privatised itself after German reunification in 1990. Barnett pieces together a complex history that sheds light on both the company's groundbreaking productions and their turbulent times.

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102.Rock of Ages ─ Sheet Music Selections From the Motion Picture: Piano/ Vocal/ Guitar

作者：Alfred Publishing Staff (COR) 出版社：Alfred Pub Co 出版日：2012/08/01 裝訂：平裝

For music makers who love 80s rock and musical theatre, this officially licensed songbook for New Line Cinema's screen adaptation of the hit Broadway musical Rock of Ages guarantees unlimited hours of

定價：700 元，優惠價：1 700

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103.Talking about Immersive Theatre：Conversations on Immersions and Interactivities in Performance

作者：Bucknall; Joanna Jayne (University of Birmingham; UK) 出版社：Bloomsbury Publishing PLC 出版日：2023/01/12 裝訂：精裝

定價：5950 元，優惠價：9 5355

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104.Greek Tragedy and Modernist Performance: Hellenism as Theatricality

作者：Olga Taxidou 出版社：Edinburgh Univ Pr 出版日：2023/02/18 裝訂：平裝

This book examines the ways the encounters between modernist theatre makers and Greek tragedy were constitutive in the modernist experiments in performance. Through a series of events / instances / poses that engage visual, literary and performing arts, the modernist love/hate relationship with classical Greek tragedy is read as contributing to a modernist notion of theatricality, one that follows a double motion, revising both our understanding of Greek tragedy and of modernism itself. Isadora Duncan, Edward Gordon Craig, T.S. Eliot, Ezra Pound, W. B. Yeats, H. D, and Bertolt Brecht and their various, sometimes successful sometimes failed experiments in creating a modernist aesthetic in performing, dancing, translating, designing Greek tragedies, sometimes for the stage and sometimes for the page, are presented as radical experiments in and gestures towards the autonomy of performance. In the process the artists of the theatre themselves - the actor, the designer, the director, the pl

定價：1481 元，優惠價：79 1170

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105.The Moving Body (Le Corps Poétique)

作者：Jacques Lecoq 出版社：Methuen Drama UK 出版日：2020/07/09 裝訂：平裝

In life, I want students to be alive and on stage I want them to be artists' Jacques LecoqJacques Lecoq was one of the most inspirational theatre teachers of our age. In The Moving Body, he shares wit

定價：1099 元，優惠價：9 989

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106.Shakespeare's Accents：Voicing Identity in Performance

作者：Sonia Massai 出版社：Cambridge Univ Pr 出版日：2020/03/31 裝訂：精裝

Voices and accents are increasingly perceived as central markers of identity in Shakespearean performance. This book presents a history of the reception of Shakespeare on the English stage with a focus on the vocal dimensions of theatrical performance. The chapters identify key moments when English accents have caused controversy, if not public outrage. Sonia Massai examines the cultural connotations associated with different accents and how accents have catalysed concerns about national, regional and social identities that are (re)constituted in and through Shakespearean performance. She argues that theatre makers and reformers, elocutionists and historical linguists, as well as directors, actors and producers have all had a major impact on how accents have evolved and changed on the Shakespearean stage over the last four hundred years. This fascinating book offers a rich historical survey alongside close performance analysis.

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共106 筆
6 頁
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101.A History of the Berliner Ensemble

102.Rock of Ages ─ Sheet Music Selections From the Motion Picture: Piano/ Vocal/ Guitar

103.Talking about Immersive Theatre：Conversations on Immersions and Interactivities in Performance

104.Greek Tragedy and Modernist Performance: Hellenism as Theatricality

105.The Moving Body (Le Corps Poétique)

106.Shakespeare's Accents：Voicing Identity in Performance

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