The period from the eighth to the fifth centuries B.C. was one of extraordinary creativity in the Greek-speaking world. Poetry was a public and popular medium, and its production was closely related to developments in contemporary society. At the time when the city states were acquiring their distinctive institutions epic found the greatest of all its exponents in Homer, and lyric poetry for both solo and choral performance became a genre which attracted poets of the first rank, writers of the quality of Sappho, Alcaeus and Pindar, whose influence on later literature was to be profound. This volume covers the epic tradition, the didactic poems of Hesiod and his imitators, and the wide-ranging work of the iambic, elegiac and lyric poets of what is loosely called the archaic age. The contributors make use of recent papyrus finds (particularly in the case of Archilochus and Stesichorus) to fill out the picture of a cosmopolitan and highly sophisticated literary culture which had not yet f
The Pinkster King and the King of Kongo presents the history of the nation's forgotten Dutch slave community and free Dutch-speaking African Americans from seventeenth-century New Amsterdam to ninetee
The Pinkster King and the King of Kongo presents the history of the nation’s forgotten Dutch slave community and free Dutch-speaking African Americans from seventeenth-century New Amsterdam to ninetee
Late-arriving immigrants during the Great Migration, Finns were, comparatively speaking, a relatively small immigrant group, with about 350,000 immigrants arriving prior to World War II. Nevertheless,
Russian-speaking Jews from the former Soviet Union are a peculiarity in the Jewish world. After decades living in a repressive, nominally atheistic state, these Jews did manage to retain a strong sens
This study seeks to investigate the history of Anglican / Methodist cooperation among the Yoruba-speaking peoples of Nigeria during the missionary era and after. The intention is to show that the inst
In this book, Françoise Mirguet traces the appropriation and reinterpretation of pity by Greek-speaking Jewish communities of Late Antiquity. Pity and compassion, in this corpus, comprised a hybrid of Hebrew, Greek, and Roman constructions; depending on the texts, they were a spontaneous feeling, a practice, a virtue, or a precept of the Mosaic law. The requirement to feel for those who suffer sustained the identity of the Jewish minority, both creating continuity with its traditions and emulating dominant discourses. Mirguet's book will be of interest to scholars of early Judaism and Christianity for its sensitivity to the role of feelings and imagination in the shaping of identity. An important contribution to the history of emotions, it explores the role of the emotional imagination within the context of Roman imperialism. It also contributes to understanding how compassion has come to be so highly valued in Western cultures.
A crucial component of the New Education reform movement, nature study was introduced to elementary schools throughout the English-speaking world in the late nineteenth and early twentieth centuries.
Part of a multivolume series collecting essays, forum discussions, and interviews from Historically Speaking, the Historical Society journal that is intended to make the work of prominent historians a
This volume explores in detail Kierkegaard's various relations to his German contemporaries. Kierkegaard read German fluently and made extensive use of the writings of German-speaking authors. Apart f
New to Penguin Classics, the work that Nietzsche conceived of as his magnum opus before his death?Assembled by Nietzsche’s sister after his death, The Will to Power is a collection of the philosopher’s reflections and theories taken from his unpublished notebooks. Covering topics such as nihilism, Christianity, morality, and the famous “will to power,” the book was controversially presented as Nietzsche’s all-but-completed magnum opus containing his philosophical system. Including some of his most interesting metaphysical and epistemological thoughts, as well as some of his most disturbing ethical and political comments, the book would prove to have a significant influence on Nietzsche’s contentious reception in the twentieth century.?For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and
The country of Belize belies its geographical location in Central America. It is a sparsely populated, English-speaking enclave perched between Spanish-speaking Mexico and Guatemala. Belize's coloniza
Book covers Latin American History and Literature in search for myths and beliefs which have probably caused it to fail through the centuries. The author, who traveled every Spanish-speaking country o
The History of the Condemnation of the Patriarch Nicon, composed by the Greek prelate Paisius Ligarides of Scio (1612–1678), is an account of the bitter struggle between the leaders of the Russian church and state during the reign of Tsar Alexis Michaelovich (1629–1676) and the patriarchate of Nicon (1605–1681). The conflict resulted in the exile and deposition of the Patriarch in 1666, decreed by an ecclesiastical council headed by Ligarides. Ligarides' History, a theological and legal essay on the powers of the tsar, is one of the most important polemics produced during the period. The arguments and ideas it contains represented important advances in the developing ideological tradition of the absolute authority of the tsar. This 1873 translation, the third of six volumes on the subject compiled by William Palmer, made this key historical source accessible to English-speaking scholars of Russian ecclesiastical history and political thought.
The Cambridge Companion to German Idealism, first published in 2000, offers a comprehensive, penetrating and informative guide to what is regarded as the classical period of German philosophy. Kant, Fichte, Hegel and Schelling are all discussed in detail, together with a number of their contemporaries, such as Hölderlin and Schleiermacher, whose influence was considerable but whose work is less well known in the English-speaking world. The essays in the volume trace and explore the unifying themes of German Idealism, and discuss their relationship to Romanticism, the Enlightenment, and the culture of seventeenth- and eighteenth-century Europe. The result is an illuminating overview of a rich and complex philosophical movement, and will appeal to a wide range of readers in philosophy, German studies, theology, literature, and the history of ideas.
The Cambridge Companion to Archaic Greece provides a wide-ranging synthesis of history, society, and culture during the formative period of Ancient Greece, from the Age of Homer in the late eighth century to the Persian Wars of 490–480 BC. In ten clearly written and succinct chapters, leading scholars from around the English-speaking world treat all aspects of the civilization of Archaic Greece, from social, political, and military history to early achievements in poetry, philosophy, and the visual arts. Archaic Greece was an age of experimentation and intellectual ferment that laid the foundations for much of Western thought and culture. Individual Greek city-states rose to great power and wealth, and after a long period of isolation, many cities sent out colonies that spread Hellenism to all corners of the Mediterranean world. This Companion offers a vivid and fully documented account of this critical stage in the history of the West.
From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.
The Cambridge Companion to German Idealism, first published in 2000, offers a comprehensive, penetrating and informative guide to what is regarded as the classical period of German philosophy. Kant, Fichte, Hegel and Schelling are all discussed in detail, together with a number of their contemporaries, such as Hölderlin and Schleiermacher, whose influence was considerable but whose work is less well known in the English-speaking world. The essays in the volume trace and explore the unifying themes of German Idealism, and discuss their relationship to Romanticism, the Enlightenment, and the culture of seventeenth- and eighteenth-century Europe. The result is an illuminating overview of a rich and complex philosophical movement, and will appeal to a wide range of readers in philosophy, German studies, theology, literature, and the history of ideas.
From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.
It is widely agreed that Parmenides invented extended deductive argumentation and the practice of demonstration, a transformative event in the history of thought. But how did he manage this seminal accomplishment? In this book, Benjamin Folit-Weinberg finally provides an answer. At the heart of this story is the image of the hodos, the road and the journey. Brilliantly deploying the tools and insights of literary criticism, conceptual history, and archaeology, Folit-Weinberg illuminates how Parmenides adopts and adapts this image from Homer, especially the Odyssey, forging from it his pioneering intellectual approaches. Reinserting Parmenides into the physical world and poetic culture of archaic Greece, Folit-Weinberg reveals both how deeply traditional and how radical was Parmenides' new way of thinking and speaking. By taking this first step toward providing a history of the concept method, this volume uncovers the genealogy of philosophy in poetry and poetic imagery.
