El a o 1955, nos conocimos en los pasillos del Instituto B blico Magdiel, el Dr. Pablo S nchez y un servidor. En ese tiempo, cuando ingres al Magdiel yo ven a de Nuevo Laredo, Tamaulipas, l ven a de C
Dami n Arias-Matos es Coronel del la Polic a Nacional. Por temor a los polic as, a los abogados y a los periodistas, tres temores de su infancia, ingres a la Polic a Nacional hace m?'s de tres d cadas
The National Gallery's collection encompasses the neoclassicism of Jacques-Louis David as well as the naturalism of the Barbizon painters. The works of Jean-August-Dominique Ingres, such as the Galler
Jochen Plogsties is renowned for his “retranslations” of well-known works of art, from theMona Lisa to Picasso’s Seated Harlequin to works by Rembrandt, Ingres, and Vermeer, as well as the iconic Beat
This volume examines how the grotesque has shaped the history, practice, and theory of art in the nineteenth and twentieth centuries. The grotesque entered into the mainstream of modern expression during the romantic era. It has been adopted by a succession of artists as a way to push beyond established boundaries, to explore alternate modes of experience and expression, and to challenge the status quo. Examining specific images by a range of artists, such as Ingres, Gauguin, Höch, de Kooning, Polke, and Mona Hatoum, the essays also encompass a variety of media, including medical illustration, paintings, prints, photography, multimedia installations, and film. This study brings into focus a range of subjects, styles and theoretical viewpoints that have traditionally been marginalized in the standard narratives on modernism. It demonstrates how the grotesque in modern art directly ties into current debates regarding the representation of race and gender, abjection and the other, globali
This volume examines how the grotesque has shaped the history, practice, and theory of art in the nineteenth and twentieth centuries. The grotesque entered into the mainstream of modern expression during the romantic era. It has been adopted by a succession of artists as a way to push beyond established boundaries, to explore alternate modes of experience and expression, and to challenge the status quo. Examining specific images by a range of artists, such as Ingres, Gauguin, Höch, de Kooning, Polke, and Mona Hatoum, the essays also encompass a variety of media, including medical illustration, paintings, prints, photography, multimedia installations, and film. This study brings into focus a range of subjects, styles and theoretical viewpoints that have traditionally been marginalized in the standard narratives on modernism. It demonstrates how the grotesque in modern art directly ties into current debates regarding the representation of race and gender, abjection and the other, globali
Formal specification is a method for precisely modelling computer-based systems that combines concepts from software engineering and mathematical logic. In this book the authors describe algebraic and state-based specification techniques from the unified view of the Common Object-oriented Language for Design, COLD, a wide-spectrum language in the tradition of VDM and Z. The kernel language is explained in detail, with many examples, including: set representation, a display device, an INGRES-like database system, and a line editor. Fundamental techniques such as initial algebra semantics, loose semantics, partial functions, hiding, sharing, predicate and dynamic logic, abstraction functions, representation of invariants and black-box correctness are also presented. More advanced ideas, for example Horn logic, and large systems are given in the final part. Appendices contain full details of the language's syntax and a specification library. Techniques for software development and design
