In this book, Tillman Nechtman explores the relationship between Britain and its empire in the late eighteenth century through the controversy that surrounded employees of the East India Company. Labelled as 'nabobs' by their critics, Company employees returned from India, bringing the subcontinent's culture with them - souvenirs like clothing, foods, jewels, artwork, and animals. To the nabobs, imperial keepsakes were a way of narrating their imperial biographies, lives that braided Britain and India together. However, their domestic critics preferred to see Britain as distinct from empire and so saw the nabobs as a dangerous community of people who sought to reverse the currents of imperialism and to bring the empire home. Drawing on cultural, material, and visual history, this book captures a far wider picture of the fascinating controversy and sheds considerable new light on the tensions and contradictions inherent in British national identity in the late eighteenth century.
Shell-Shock and Medical Culture in First World War Britain is a thought-provoking reassessment of medical responses to war-related psychological breakdown in the early twentieth century. Dr Loughran places shell-shock within the historical context of British psychological medicine to examine the intellectual resources doctors drew on as they struggled to make sense of nervous collapse. She reveals how medical approaches to shell-shock were formulated within an evolutionary framework which viewed mental breakdown as regression to a level characteristic of earlier stages of individual or racial development, but also ultimately resulted in greater understanding and acceptance of psychoanalytic approaches to human mind and behaviour. Through its demonstration of the crucial importance of concepts of mind-body relations, gender, willpower and instinct to the diagnosis of shell-shock, this book locates the disorder within a series of debates on human identity dating back to the Darwinian rev
Shell-Shock and Medical Culture in First World War Britain is a thought-provoking reassessment of medical responses to war-related psychological breakdown in the early twentieth century. Dr Loughran places shell-shock within the historical context of British psychological medicine to examine the intellectual resources doctors drew on as they struggled to make sense of nervous collapse. She reveals how medical approaches to shell-shock were formulated within an evolutionary framework which viewed mental breakdown as regression to a level characteristic of earlier stages of individual or racial development, but also ultimately resulted in greater understanding and acceptance of psychoanalytic approaches to human mind and behaviour. Through its demonstration of the crucial importance of concepts of mind-body relations, gender, willpower and instinct to the diagnosis of shell-shock, this book locates the disorder within a series of debates on human identity dating back to the Darwinian rev
The long eighteenth century is a crucial period in the history of ethics, when our moral relations to God, ourselves and others were minutely examined and our duties, rights and virtues systematically and powerfully presented. Colin Heydt charts the history of practical morality - what we ought to do and to be - from the 1670s, when practical ethics arising from Protestant natural law gained an institutional foothold in England, to early British responses to the French Revolution around 1790. He examines the conventional philosophical positions concerning the content of morality, and utilizes those conventions to reinterpret the work of key figures including Locke, Hume, and Smith. Situating these positions in their thematic and historical contexts, he shows how studying them challenges our assumptions about the originality, intended audience, and aims of philosophical argument during this period. His rich and readable book will appeal to a range of scholars and students.
The Post-Darwinian Controversies offers an original interpretation of Protestant responses to Darwin after 1870, viewing them in a transatlantic perspective and as a constitutive part of the history of post-Darwinian evolutionary thought. The impact of evolutionary theory on the religious consciousness of the nineteenth century has commonly been seen in terms of a 'conflict' or 'warfare' between science and theology. Dr. Moore's account begins by discussing the polemical origins and baneful effects of the 'military metaphor', and this leads to a revised view of the controversies based on an analysis of the underlying intellectual struggle to come to terms with Darwin. The middle section of the book distinguishes the 'Darwinism' of Darwin himself amid the main currents of post-Darwinian evolutionary thought, and is followed by chapters which examine the responses to Darwin of twenty-eight Christian controversialists, tracing the philosophical and theological lineage of their views. The
The institutional arrangements governing skill formation are widely seen as a key element in the institutional constellations defining 'varieties of capitalism' across the developed democracies. This book explores the origins and evolution of such institutions in four countries - Germany, Britain, the United States and Japan. It traces cross-national differences in contemporary training regimes back to the nineteenth century, and specifically to the character of the political settlement achieved among employers in skill-intensive industries, artisans, and early trade unions. The book also tracks evolution and change in training institutions over a century of development, uncovering important continuities through putative 'break points' in history. Crucially, it also provides insights into modes of institutional change that are incremental but cumulatively transformative. The study underscores the limits of the most prominent approaches to institutional change, and identifies the politi
Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics.
In this groundbreaking study, Heather Jones provides the first in-depth and comparative examination of violence against First World War prisoners. She shows how the war radicalised captivity treatment in Britain, France and Germany, dramatically undermined international law protecting prisoners of war and led to new forms of forced prisoner labour and reprisals, which fuelled wartime propaganda that was often based on accurate prisoner testimony. This book reveals how, during the conflict, increasing numbers of captives were not sent to home front camps but retained in western front working units to labour directly for the British, French and German armies - in the German case, by 1918, prisoners working for the German army endured widespread malnutrition and constant beatings. Dr Jones examines the significance of these new, violent trends and their later legacy, arguing that the Great War marked a key turning-point in the twentieth-century evolution of the prison camp.
The history of archaeology is generally told as the making of a secular discipline. In nineteenth-century Britain, however, archaeology was enmeshed with questions of biblical authority and so with religious as well as narrowly scholarly concerns. In unearthing the cities of the Eastern Mediterranean, travellers, archaeologists and their popularisers transformed thinking on the truth of Christianity and its place in modern cities. This happened at a time when anxieties over the unprecedented rate of urbanisation in Britain coincided with critical challenges to biblical truth. In this context, cities from Jerusalem to Rome became contested models for the adaptation of Christianity to modern urban life. Using sites from across the biblical world, this book evokes the appeal of the ancient city to diverse groups of British Protestants in their arguments with one another and with their secular and Catholic rivals about the vitality of their faith in urban Britain.
The history of archaeology is generally told as the making of a secular discipline. In nineteenth-century Britain, however, archaeology was enmeshed with questions of biblical authority and so with religious as well as narrowly scholarly concerns. In unearthing the cities of the Eastern Mediterranean, travellers, archaeologists and their popularisers transformed thinking on the truth of Christianity and its place in modern cities. This happened at a time when anxieties over the unprecedented rate of urbanisation in Britain coincided with critical challenges to biblical truth. In this context, cities from Jerusalem to Rome became contested models for the adaptation of Christianity to modern urban life. Using sites from across the biblical world, this book evokes the appeal of the ancient city to diverse groups of British Protestants in their arguments with one another and with their secular and Catholic rivals about the vitality of their faith in urban Britain.
For thousands of young Australians the tearful dockside farewell was a rite of passage as they boarded ships bound for London. For some the journey was an extended holiday, but for many actors, painters, musicians, writers and journalists, leaving Australia seemed to be the only path to personal and professional fulfilment. This book, first published in 2000, is a collective biography of those people who found themselves categorised as expatriates - people such as Leo McKern, Dame Joan Sutherland, Barry Tuckwell, Don Banks, Phillip Knightley, John Pilger, Peter Porter, Richard Neville, Jill Neville and 'megastars' Barry Humphries, Germaine Greer and Clive James. The book tells of choices they made about career and country, yet it is also a cultural history that traces shifts in the complex relationship between Australia and Britain, as the supposed colonial backwater began to develop its own cultural identity.
For thousands of young Australians the tearful dockside farewell was a rite of passage as they boarded ships bound for London. For some the journey was an extended holiday, but for many actors, painters, musicians, writers and journalists, leaving Australia seemed to be the only path to personal and professional fulfilment. This book, first published in 2000, is a collective biography of those people who found themselves categorised as expatriates - people such as Leo McKern, Dame Joan Sutherland, Barry Tuckwell, Don Banks, Phillip Knightley, John Pilger, Peter Porter, Richard Neville, Jill Neville and 'megastars' Barry Humphries, Germaine Greer and Clive James. The book tells of choices they made about career and country, yet it is also a cultural history that traces shifts in the complex relationship between Australia and Britain, as the supposed colonial backwater began to develop its own cultural identity.
Samuel Richardson's Pamela (1740) is often regarded as the first true novel in English and a landmark in literary history. The best-selling novel of its time, it provoked a swarm of responses: panegyrics and critiques, parodies and burlesques, piracies and sequels, comedies and operas. The controversy it inspired has become a standard point of reference in studies of the rise of the novel, the history of the book and the emergence of consumer culture. In the first book-length study of the Pamela controversy since 1960, Thomas Keymer and Peter Sabor offer a definitive account of the novel's enormous cultural impact. Above all, they read the controversy as a market phenomenon, in which the writers and publishers involved were competing not only in struggles of interpretation and meaning but also in the larger and more pressing enterprise of selling print.
The Cold War in South Asia provides the first comprehensive and transnational history of Anglo-American relations with South Asia during a seminal period in the history of the Indian Subcontinent, between independence in the late 1940s, and the height of the Cold War in the late 1960s. Drawing upon significant new evidence from British, American, Indian and Eastern bloc archives, the book re-examines how and why the Cold War in South Asia evolved in the way that it did, at a time when the national leaderships, geopolitical outlooks and regional aspirations of India, Pakistan and their superpower suitors were in a state of considerable flux. The book probes the factors which encouraged the governments of Britain and the United States to work so closely together in South Asia during the two decades after independence, and suggests what benefits, if any, Anglo-American intervention in South Asia's affairs delivered, and to whom.
The Cold War in South Asia provides the first comprehensive and transnational history of Anglo-American relations with South Asia during a seminal period in the history of the Indian Subcontinent, between independence in the late 1940s, and the height of the Cold War in the late 1960s. Drawing upon significant new evidence from British, American, Indian and Eastern bloc archives, the book re-examines how and why the Cold War in South Asia evolved in the way that it did, at a time when the national leaderships, geopolitical outlooks and regional aspirations of India, Pakistan and their superpower suitors were in a state of considerable flux. The book probes the factors which encouraged the governments of Britain and the United States to work so closely together in South Asia during the two decades after independence, and suggests what benefits, if any, Anglo-American intervention in South Asia's affairs delivered, and to whom.
James Macpherson's famous hoax, publishing his own poems as the writings of the ancient Scots bard Ossian in the 1760s, remains fascinating to scholars as the most successful literary fraud in history. This study presents the fullest investigation of his deception to date, by looking at the controversy from the point of view of Samuel Johnson. Johnson's dispute with Macpherson was an argument with wide implications not only for literature, but for the emerging national identities of the British nations during the Celtic revival. Thomas M. Curley offers a wealth of genuinely new information, detailing as never before Johnson's involvement in the Ossian controversy, his insistence on truth-telling, and his interaction with others in the debate. The appendix reproduces a rare pamphlet against Ossian written with the assistance of Johnson himself. This book will be an important addition to knowledge about both the Ossian controversy and Samuel Johnson.
James Macpherson's famous hoax, publishing his own poems as the writings of the ancient Scots bard Ossian in the 1760s, remains fascinating to scholars as the most successful literary fraud in history. This study presents the fullest investigation of his deception to date, by looking at the controversy from the point of view of Samuel Johnson. Johnson's dispute with Macpherson was an argument with wide implications not only for literature, but for the emerging national identities of the British nations during the Celtic revival. Thomas M. Curley offers a wealth of genuinely new information, detailing as never before Johnson's involvement in the Ossian controversy, his insistence on truth-telling, and his interaction with others in the debate. The appendix reproduces a rare pamphlet against Ossian written with the assistance of Johnson himself. This book will be an important addition to knowledge about both the Ossian controversy and Samuel Johnson.
The First World War dealt a profound shock to European society. In this original and stimulating book, the historian Frank Field looks at the experiences of France and Britain during the war years as revealed in the work of some of their most prominent writers responding to the unfolding catastrophe. Brooke, Wells, Shaw, Kipling, Lawrence, Owen and Rosenberg are set alongside Jaurès, Barrès, Maurras, Péguy, Psichari and Rolland, as case studies of the war's impact on intellectual life in their respective countries. The comparative perspective reveals deep differences between the French and the British experience, and yet a shared ordeal marked by the terrible ironies attendant on the shattering of common ideals. Literary images of war as a purification rite were effaced by the bloody realities of the conflict and the prophecies of writers who came to feel increasingly distanced from the essential innocence of the world before 1914 took on a new tone, grimly apocalyptic or bitterly disi
The Gordon riots of June 1780 were the most devastating outbreak of urban violence in British history. For almost a week large parts of central London were ablaze, prisons were destroyed and the Bank of England attacked. Hundreds of rioters were shot dead by troops and for many observers it seemed that England was on the verge of a revolution. The first scholarly study in a generation, this book brings together leading scholars from historical and literary studies to provide new perspectives on these momentous events. The essays include new archival work on the religious, political and international contexts of the riots and new interpretations of contemporary literary and artistic sources. For too long the significance of the Gordon riots has been overshadowed by the impact of the French revolution on British society and culture: this book restores the riots to their central position in late eighteenth-century Britain.
Ever since the scientist-turned-novelist C. P. Snow clashed with literary critic F. R. Leavis in the early 1960s, it has been a commonplace to lament that intellectual life is divided between 'two cultures', the arts and sciences. Yet why did a topic that had long been discussed inspire such ferocious controversy at this particular moment? This book answers that question by recasting this dispute as an ideological conflict between competing visions of Britain's past, present, and future. It then connects the controversy to simultaneous arguments about the mission of the university, the methodology of social history, the reasons for 'national decline', and the fate of the former empire. By excavating the political stakes of the 'two cultures' controversy, this book explains the workings of cultural politics during the 1960s more generally, while also revising the meaning of a term that continues to be evoked to this day.
