Two timeless stories celebrating friendship and imagination, from an exciting voice in children's literature, Sophie Dahl.The Worst Sleepover in the World.Ramona is having her best friend, Gracie, to stay the night. It's their first ever sleepover and she wants to make a den, read stories, dance like a wild thing, stay up all night and have a midnight feast. It'll be the best sleepover in history. But nothing quite goes to plan. Will Gracie, Ramona and her little sister, Ruby, be able to solve their problems and still be friends in the morning?Madame Badobedah.Mabel lives with her parents in The Mermaid Hotel, by the sea. Mabel likes to keep an eye on the comings and goings of all the guests. Then one day a particularly in-ter-est-ing old lady comes to stay. There is something very suspicious about her, with her growly voice and her heavy trunks and her beady-eyed tortoise. And why does no one know her real name? There can only be one answer, Mabel decides ... this guest is a supervill
Two timeless stories celebrating friendship and imagination, from an exciting voice in children's literature, Sophie Dahl.The Worst Sleepover in the World.Ramona is having her best friend, Gracie, to stay the night. It's their first ever sleepover and she wants to make a den, read stories, dance like a wild thing, stay up all night and have a midnight feast. It'll be the best sleepover in history. But nothing quite goes to plan. Will Gracie, Ramona and her little sister, Ruby, be able to solve their problems and still be friends in the morning?Madame Badobedah.Mabel lives with her parents in The Mermaid Hotel, by the sea. Mabel likes to keep an eye on the comings and goings of all the guests. Then one day a particularly in-ter-est-ing old lady comes to stay. There is something very suspicious about her, with her growly voice and her heavy trunks and her beady-eyed tortoise. And why does no one know her real name? There can only be one answer, Mabel decides ... this guest is a supervill
The Cozy Classics series is the brainchild of two brothers, both dads, who were thinking of ways to teach words to their very young children. They hit upon the classics as the basis for their infant primers, and the rest, as they say, is history. Every classic book in the series is condensed to twelve child-friendly words—accompanied by beautiful hand-felted scenes—that accurately and humorously summarize each book's plot. Here are some of the Great Books of Western Literature for toddlers and their parents in board book form—a little bit serious, a little bit ironic, entirely funny and clever, and always a welcome gift.商品除瑕疵品外，恕不接受退換貨因拍攝略有色差，圖片僅供參考，顏色請以實際收到商品為準
Cuddle up with a classic! In twelve needle-felted scenes and twelve child-friendly words, each book in this ingenious series captures the essence of a literary masterpiece. Simple words, sturdy pages, and a beloved story make these books the perfect vehicle for early learning with an erudite twist. Budding bookworms will delight in this clever retelling of the classics made just for them!In Victor Hugo's Les Misérables, a poor thief mends his ways, a sad little girl escapes a hard life, and a young couple finds love during a rebellion in Paris. It's a first words primer for your literary little one!The Cozy Classics series is the brainchild of two brothers, both dads, who were thinking of ways to teach words to their very young children. They hit upon the classics as the basis for their infant primers, and the rest, as they say, is history. From Moby Dick to Pride and Prejudice, here are The Great Books of Western Literature for toddlers and their parents in board book form—a little bi
Women have long participated in the dissemination of science, a part of the history of science that until recently has been undervalued and little explored. By practicing the arts of science writing,
A vast amount of literature-both scholarly and popular-now exists on the subject of historical memory, but there is remarkably little available that is written from an African perspective. This volume
This book is a documentary record of the statements and debates that defined the formative period of a movement that has affected modern politics and history more than any other. It is generally acknowledged that not only were the theoretical problems faced by Russian Marxists during this period more complex than those encountered elsewhere but that they also brought to the resolution of these problems an originality and intellectual rigour second to none in the Marxist tradition. As predominantly a movement of intellectuals during these years they achieved a level of articulation and sophistication unsurpassed in the literature of Marxism, and that makes them such a rewarding subject of study. Plekhanov, Akselrod, Lenin, Struve, Martov, Trotsky, Luxemburg and Kautsky all feature in both celebrated and little-known texts alongside anonymous pamphleteers and writers of resolutions, editorials, flysheets and programmes.
While plenty of entertaining books have been written about the history of alcohol and other intoxicants, none have offered a comprehensive, convincing answer to the basic question of why humans want to get high in the first place. Drunk elegantly cuts through the tangle of urban legends and anecdotal impressions that surround our notions of intoxication to provide the first rigorous, scientifically-grounded explanation for our love of alcohol. Drawing on evidence from archaeology, history, cognitive neuroscience, psychopharmacology, social psychology, literature, and genetics, Slingerland shows that our taste for chemical intoxicants is not an evolutionary mistake, as we are so often told. In fact, intoxication helps solve a number of distinctively human challenges: enhancing creativity, alleviating stress, building trust, and pulling off the miracle of getting fiercely tribal primates to cooperate with strangers. Our desire to get drunk, along with the individual and social benefits p
Explores a little-known history of exchange between Anishinaabe and American writers, showing how literature has long been an important venue for debates over settler colonial policy and indigenous ri
Explores a little-known history of exchange between Anishinaabe and American writers, showing how literature has long been an important venue for debates over settler colonial policy and indigenous ri
"Jeffrey Veidlinger relates a fascinating and little-known piece of history.... [He] distills a remarkable amount of research into a pithy, well-turned account that will interest readers of cultural a
We live in a celebrity-obsessed culture, but until recently the history of celebrity has been little discussed. The contributors to this innovative collection locate the origins of a distinctively modern kind of celebrity in the Romantic period. Celebrity was from the beginning a multi-media phenomenon whose cultural pervasiveness - in literature and the theatre, music and visual culture, fashion and boxing - overflows modern disciplinary boundaries and requires attention from scholars with different kinds of expertise. Looking back to the 1720s and forward to the 1890s, this volume identifies the people and institutions that made the Romantic period a pivotal moment in the creation of celebrity. Tracing connections between celebrity and the period's discourses of heroism, genius, nationalism, patronage and gender, these essays map the contours of a cultural apparatus that many of the period's central figures became implicated in, even as they sought to distance themselves from it.
This is an English translation of important writings on the Thirty Years' War by the great Soviet historian B. F. Porshnev. Little is known of the Muscovite contribution to the conflict and Paul Dukes - arguably Britain's senior historian of ancien regime Russia - has selected the most valuable areas of Porshnev's unparalleled archival research to fill a crucial gap in the literature of the seventeenth century. In placing this work in the context of Porshnev's larger undertaking, Professor Dukes' substantial introduction assesses Porshnev's critics and evaluates his contribution to our understanding of the Thirty Years' War and of relations between Eastern and Western Europe at the time. A significant reinterpretation of a fascinating period, the book will interest both Russian specialists and those working more generally in seventeenth- century European history.
The Modernist movement has been regarded as representing a crisis point in Western thought. This volume looks at that crisis in terms of its reinterpretation of ideas concerning vitalism: the animation of the universe, whether spiritual or based in physical energies, of the universe. Beginning with vitalism's historical background in the enlightenment and the nineteenth century, and moving through scientific, philosophical and literary disciplines, the contributors chart the progress of vitalism and its influence on modernist thought. The focal point is the work of Henri Bergson, whose part in this powerful reinterpretation had a considerable bearing on European and American intellectual life, and yet led to a vehement rejection of his work. A previously untranslated and little-known essay by Bakhtin will be of special interest in this stimulating collection, which includes original contributions from leading scholars in literature, the history of science, biology and philosophy, and c
The Greeks have long been regarded as innovators across a wide range of fields in literature, culture, philosophy, politics and science. However, little attention has been paid to how they thought and felt about novelty and innovation itself, and to relating this to the forces of traditionalism and conservatism which were also present across all the various societies within ancient Greece. What inspired the Greeks to embark on their unique and enduring innovations? How did they think and feel about the new? This book represents the first serious attempt to address these issues, and deals with the phenomenon across all periods and areas of classical Greek history and thought. Each chapter concentrates on a different area of culture or thought, while the book as a whole argues that much of the impulse towards innovation came from the life of the polis which provided its setting.
H. D. (Hilda Doolittle) was one of the central figures in literary modernism in the 1910s. She collaborated with Ezra Pound and others and played an important role in the early development of modernist poetry. This Cambridge Companion is a critical introduction to H. D. containing essays on all her major works. The first part explores the author's initial exclusion from the canon and her subsequent reinstatement; her tendency to merge fact with fiction in her autobiographical texts; her contribution to the little magazines; her relation to modernism; her representation of gender; and her influence on later generations of writers. The second part offers close and accessible critical analyses of H. D.'s style, her poems Hymen and Trilogy, her novels HERmione and Majic Ring, her understanding of translation as literary practice and of her notion of history in Tribute to Freud and The Gift.
Reading Russian Fortunes examines the huge popularity and cultural impact of fortune-telling among urban and literate Russians from the eighteenth century to the present. Based partly on a study of the numerous editions of little fortune-telling books, especially those devoted to dream interpretation, it documents and analyses the social history of fortune-telling in terms of class and gender, at the same time considering the function of both amateur and professional fortune-telling in a literate modernizing society. Chapters are devoted to professional fortune-tellers and their clients, and to the publishers of the books. An analysis of the relationship between urban fortune-telling and traditional oral culture, where divination played a very significant role, leads on to a discussion of the underlying reasons for the persistence of fortune-telling in modern Russian society.
From archaic Sparta to classical Athens the chorus was a pervasive feature of Greek social and cultural life. Until now, however, its reception in Roman literature and culture has been little appreciated. This book examines how the chorus is reimagined in a brief but crucial period in the history of Latin literature, the early Augustan period from 30 to 10 BCE. It argues that in the work of Horace, Virgil, and Propertius, the language and imagery of the chorus articulate some of their most pressing concerns surrounding social and literary belonging in a rapidly changing Roman world. By re-examining seminal Roman texts such as Horace's Odes and Virgil's Aeneid from this fresh perspective, the book connects the history of musical culture with Augustan poetry's interrogation of fundamental questions surrounding the relationship between individual and community, poet and audience, performance and writing, Greek and Roman, and tradition and innovation.
Franz Kafka (1883–1924) lived through one of the most turbulent periods in modern history, witnessing a world war, the dissolution of an empire and the foundation of a new nation state. But the early twentieth century was also a time of social progress and aesthetic experimentation. Kafka's novels and short stories reflect their author's keen but critical engagement with the big questions of his time, and yet often Kafka is still cast as a solitary figure with little or no connection to his age. Franz Kafka in Context aims to redress this perception. In thirty-five short, accessible essays, leading international scholars explore Kafka's personal and working life, his reception of art and culture, his engagement with political and social issues, and his ongoing reception and influence. Together they offer a nuanced and historically grounded image of a writer whose work continues to fascinate readers from all backgrounds.
