Often hailed as the 'best' James Bond film, From Russia With Love (1963) is celebrated for its direction by Terence Young, memorable performances from Sean Connery in his second outing as 007, Pedro Armendáriz as Kerim, Lotte Lenya as the lesbian villain Colonel Rosa Klebb, and Robert Shaw as Red Grant, the sexually ambiguous SPECTRE assassin. And regardless of its place within the longest-running continuous film series in cinema history, it is also an outstanding example of the British spy thriller in its own right.Llewella Chapman's study of the iconic film pinpoints its place within the James Bond film franchise, and its significant cultural value to critics and fans as well as this film’s important place within British cinema history more widely. Drawing on a broad range of archival sources, Chapman traces the film's development and production history, including its adaptation from Ian Fleming's source novel, as well as its reception and lasting impact. Chapman also considers
This study offers a fresh approach to the remarkable German film The Lives of Others (2006), known for its compelling representation of a Stasi surveillance officer and the moral and ethical turmoil that results when he begins spying on a playwright and his actress lover.Annie Ring analyses the film's cinematography, mise-en-scène and editing, tracing connections with Hollywood movies such as Casablanca and Hitchcock’s Torn Curtain in the film's portrayal of an individual rebelling against a brutal dehumanising regime. Drawing on archival sources, including primary research from the Stasi files themselves, as well as Enlightenment philosophies of art and Brecht’s theories on theatre dating from his GDR years, she explores the film's strong but much-disputed claims to historical authenticity. She examines the way the film tracks the world-changing political shift that took place at the end of the Cold War – away from the collective dreams of socialism and towards the dreams of
Francis Ford Coppola's The Godfather, Part II (1974) is a magisterial cinematic work, a gorgeous, stylized, auteur epic, and one of the few sequels judged by many to be greater than its predecessor. This despite the fact that it consists largely of meetings between aspiring 'Godfather' Michael Corleone and fellow gangsters, politicians and family members. The meetings remind us that the modern gangster’s success is built upon inside information and on strategic planning. Michael and his father Vito’s days resemble those of the legitimate businessmen they aspire or pretend to be. Jon Lewis's study of Coppola's masterpiece provides a close analysis of the film and a discussion of its cinematic and political contexts. It is structured in three sections: “The Sequel,” “The Dissolve,” and “The Sicilian Thing” – accommodating three avenues of inquiry, respectively: the film’s importance in and to Hollywood history, its unique, auteur style and form; and its cultural significance. Of
Peter Weir's haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking.Anna Backman Rogers' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man's 'terra nullius'. She delves into the film's production history, addressing director Weir's influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film's treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the ‘eternal
The 'consummate unconsummated love story of the new millennium', In the Mood for Love (2000) is firmly established as a classic of world cinema. Tony Rayns charts the film's production history (includ
Withnail and I sank almost without a trace when it was first released in 1987. Financed by HandMade Films, the late George Harrison’s production company, and drawing heavily on first-time writer-director Bruce Robinson's experiences, this virtually plot-free story follows two out-of-work actors (Withnail, played by Richard E. Grant, and 'I', played by Paul McGann), eking out a living in a run-down London of the late 1960s, and embarking on a booze-fuelled weekend in the country which takes various unexpected turns. Although it initially failed to find an audience, it did not take long for the film to attract a dedicated cult following which still persists today. Lines from the film such as 'we've gone on holiday by mistake!' and 'Bring me the finest wines known to humanity!' have become popular favourites and the subject of countless internet memes.Kevin Jackson's in-depth study gives a full account of the film's origins and production history. But his main focus is the mood and
Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released. Set in modern Japan, the fi
Stanley Kubrick's 2001: A Space Odyssey (1968) is widely regarded as one of the best films ever made. It has been celebrated for its beauty and mystery, its realistic depiction of space travel and daz
Declared obscene in Japan, where it has never been shown in its entirety, Oshima Nagisa's In the Realm of the Senses was shown uncut at the Cannes Film Festival in 1976: thirteen screenings were requi
Ritwik Ghatak's The Cloud-Capped Star (Meghe Dhaka Tara, 1960) has been hailed as 'one of the great classics of world cinema' (Adrian Martin), and 'one of the five or six greatest melodramas in cinema
George A. Romero's Night of the Living Dead is a cult classic that has resonated with audiences and independent filmmakers ever since its release in 1968. It redefined horror cinema and launched the m
Sunrise: A Song of Two Humans (1927) is one of the most historically pivotal of all films. The first American film of the celebrated German director F.W. Murnau, Sunrise tells the story of a love tria
First released in 1987, Near Dark is a vampire film set in the contemporary American Midwest that tells the story of Caleb, a half-vampire trying to decide whether to embrace his vampire nature or ret
The Empire Strikes Back (1980), the second film in the original Star Wars trilogy, is often cited as the 'best' and most popular Star Wars movie. In her compelling study, Rebecca Harrison draws on pr
