Volume Two covers those works written during the decadence of the post-Rossini period. During this time, Verdi, having exhausted the vein of simple lyricism to be found inIl Trovatore and La Traviata,
As a young and outspoken priest, Luca Rossini was brutally tortured in an Argentine military prison, and then nursed back to health by the beautiful Isabel. Exiled to Rome to avoid scandal, Rossini be
Operatic works by Italian composers of the nineteenth century have undergone countless transformations since their premieres, shifting shape in response to a variety of new geographic, temporal, technological, and performative contexts. These enduring works by Rossini, Donizetti, Bellini, Verdi, Puccini, and their contemporaries have myriad stories to tell. Fashions and Legacies reconstructs a selection of these stories, exploring ways in which operatic works have been reshaped and revived throughout the nineteenth, twentieth, and twenty-first centuries. While focusing on how these works have been altered, the thirteen contributors in this book also respond to fundamental questions: how has this music retained - or sacrificed - its powerful messages in the face of deconstruction and recontextualization over time and place? What happens to these operas once they have escaped control of their authors? The contributions of singers, stage directors, conductors, and other theatrical persona
This 2003 Companion is a fascinating and accessible exploration of the world of grand opera. Through this volume a team of scholars and writers on opera examine those important Romantic operas which embraced the Shakespearean sweep of tragedy, history, love in time of conflict, and the struggle for national self-determination. Rival nations, rival religions and violent resolutions are common elements, with various social or political groups represented in the form of operatic choruses. The book traces the origins and development of a style created during an increasingly technical age, which exploited the world-renowned skills of Parisian stage-designers, artists, and dancers as well as singers. It analyses in detail the grand operas by Rossini, Auber, Meyerbeer and Halévy, discusses grand opera in Russia and Germany, and also in the Czech lands, Italy, Britain and the Americas. The volume also includes an essay by the renowned opera director David Pountney.
EMBThe 96 short duets for student players, in progressive order of difficulty, include folksongs and works by various composers, including Mozart, Beethoven, Rossini, Schubert, Schumann, Rimsky-Korsak
(Vocal Collection). Art Songs from the 19th into the early 20th Century, including music by such prominent Italian composers as Bellini, Donaudy, Donizetti, Leoncavallo, Mascagni, Puccini, Rossini, To
(Percussion). Features the complete timpani parts to 26 standard orchestral overtures by Beethoven, Berlioz, Brahms, Dvorak, Liszt, Mendelssohn, Mozart, Rossini, Schubert, Tchaikovsky, Wagner, and Web
Franz Schubert's tragically short life was spent in one of Europe's most richly musical cities: a Vienna that worshipped Beethoven, adored Rossini, and thrilled to Paganini. Schubert, with the help of supportive friends who were themselves immersed in the arts, won fame for himself through songs and dances while aspiring to succeed with larger operas and symphonies. Christopher Gibbs considers how and what Schubert composed, taking a fresh look at this misunderstood figure, particularly the unfolding of his professional career, his relationship to Beethoven, the growth of his reputation and public image and the darker side of drinking, depression and sexual ambiguity. This searching and sympathetic biography questions the customary sentimental clichés and the recent revisionist views concerning this elusive genius.
Franz Schubert's tragically short life was spent in one of Europe's most richly musical cities: a Vienna that worshipped Beethoven, adored Rossini, and thrilled to Paganini. Schubert, with the help of supportive friends who were themselves immersed in the arts, won fame for himself through songs and dances while aspiring to succeed with larger operas and symphonies. Christopher Gibbs considers how and what Schubert composed, taking a fresh look at this misunderstood figure, particularly the unfolding of his professional career, his relationship to Beethoven, the growth of his reputation and public image and the darker side of drinking, depression and sexual ambiguity. This searching and sympathetic biography questions the customary sentimental clichés and the recent revisionist views concerning this elusive genius.
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated into English, fitted with spoken dialogue, divested of much of their music, augmented with interpolations and frequently set to altered libretti. By the end of the period, the radical changes of earlier adaptations gave way to more faithful versions. In the first comprehensive study of these adaptations, Christina Fuhrmann shows how integral they are to our understanding of early nineteenth-century opera and the transformation of London's theatrical and musical life. This book reveals how these operas accelerated repertoire shifts in the London theatrical world, fostered significant changes in musical taste, revealed the ambiguities and inadequacies of copyright law and sparked intense debate about fidelity to th
Contents: Rossini: La calunnia (Il Barbiere di Siviglia) * A un dottor della mia sorte (Il Barbiere di Siviglia) - Cornelius: Mein Sohn (Der Barbier von Bagdad) - Smetana: Kezal's Aria (The Bartered B
