Located in the small kingdom of Commagene at the upper Euphrates, the late Hellenistic monument of Nemrud Dağ (c.50 BC) has been undeservedly neglected by scholars. Qualified as a Greco-Persian hybrid instigated by a lunatic king, this fascinating project of bricolage has been written out of history. This volume redresses that imbalance, interpreting Nemrud Dağ as an attempt at canon building by Antiochos I in order to construct a dynastic ideology and social order, and proving the monument's importance for our understanding of a crucial transitional phase from Hellenistic to Roman. Hellenistic Commagene therefore holds a profound significance for a number of discussions, such as the functioning of the Hellenistic koine and the genesis of Roman 'art', Hellenism and Persianism in antiquity, dynastic propaganda and the power of images, Romanisation in the East, the contextualising of the Augustan cultural revolution, and the role of Greek culture in the Roman world.
The Tabulae Iliacae are a group of carved stone plaques created in the context of early Imperial Rome that use miniature images and text to retell stories from Greek myth and history - chief among them Homer's Iliad and the fall of Troy. In this book, Professor Petrain moves beyond the narrow focus on the literary and iconographic sources of the Tabulae that has characterized earlier scholarship. Drawing on ancient and modern theories of narrative, he explores instead how the tablets transfer the Troy saga across both medium and culture as they create a system of visual storytelling that relies on the values and viewing habits of Roman viewers. The book comprehensively situates the tablets in the urban fabric of Augustan Rome. New photographs of the tablets, together with re-editions and translations of key inscriptions, offer a new, clearer view of these remarkable documents of the Roman appropriation of Greek epic.
This book offers a captivating new interpretation of Lucian as a fictional theorist and writer to stand alongside the novelists of the day, bringing to bear on his works a whole new set of reading strategies. It argues that the aesthetic and cultural issues Lucian faced, in a world of mimesis and replication, were akin to those found in postmodern contexts: the ubiquity of the fake, the erasure of origins, the focus on the freakish and weird at the expense of the traditional. In addition to exploring the texture of Lucian's own writing, Dr ní Mheallaigh uses Lucian as a focal point through which to examine other fictional texts of the period, including Antonius Diogenes' The Incredible Things Beyond Thule, Dictys' Journal of the Trojan War and Ptolemy Chennus' Novel History, and reveals the importance of fiction's engagement with its contemporary culture of writing, entertainment and wonder.
A strange thing happened to Roman sarcophagi in the third century: their Greek mythic imagery vanished. Since the beginning of their production a century earlier, these beautifully carved coffins had featured bold mythological scenes. How do we make sense of this imagery's own death on later sarcophagi, when mythological narratives were truncated, gods and heroes were excised, and genres featuring no mythic content whatsoever came to the fore? What is the significance of such a profound tectonic shift in the Roman funerary imagination for our understanding of Roman history and culture, for the development of its arts, for the passage from the High to the Late Empire and the coming of Christianity, but above all, for the individual Roman women and men who chose this imagery, and who took it with them to the grave? In this book, Mont Allen offers the clues that aid in resolving this mystery.
Galen is the most important medical writer in Graeco-Roman antiquity, and also extremely valuable for understanding Graeco-Roman thought and society in the second century AD. This volume of essays locates him firmly in the intellectual life of his period, and thus aims to make better sense of the medical and philosophical 'world of knowledge' that he tries to create. How did Galen present himself as a reader and an author in comparison with other intellectuals of his day? Above all, how did he fashion himself as a medical practitioner, and how does that self-fashioning relate to the performance culture of second-century Rome? Did he see medicine as taking over some of the traditional roles of philosophy? These and other questions are freshly addressed by leading international experts on Galen and the intellectual life of the period, in a stimulating collection that combines learning with accessibility.
This study explores the development of ancient festival culture in the Greek East of the Roman Empire, paying particular attention to the fundamental religious changes that occurred. After analysing how Greek city festivals developed in the first two Imperial centuries, it concentrates on the major Roman festivals that were adopted in the Eastern cities and traces their history up to the time of Justinian and beyond. It addresses several key questions for the religious history of later antiquity: who were the actors behind these adoptions? How did the closed religious communities, Jews and pre-Constantinian Christians, articulate their resistance? How did these festivals change when the empire converted to Christianity? Why did emperors not yield to the long-standing pressure of the Church to abolish them? And finally, how did these very popular festivals - despite their pagan tradition - influence the form of the newly developed Christian liturgy?
This book examines the role of social networks in the formation of identity among sophists, philosophers and Christians in the early Roman Empire. Membership in each category was established and evaluated socially as well as discursively. From clashes over admission to classrooms and communion to construction of the group's history, integration into the social fabric of the community served as both an index of identity and a medium through which contests over status and authority were conducted. The juxtaposition of patterns of belonging in Second Sophistic and early Christian circles reveals a shared repertoire of technologies of self-definition, authorization and institutionalization and shows how each group manipulated and adapted those strategies to its own needs. This approach provides a more rounded view of the Second Sophistic and places the early Christian formation of 'orthodoxy' in a fresh context.
The political instability of the Severan Period (AD 193–235) destroyed the High Imperial consensus about the Roman past and caused both rulers and subjects constantly to re-imagine and re-narrate both recent events and the larger shape of Greco-Roman history and cultural identity. This book examines the narratives put out by the new dynasty, and how the literary elite responded with divergent visions of their own. It focuses on four long Greek narrative texts from the period (by Cassius Dio, Philostratus and Herodian), each of which constructs its own version of the empire, each defined by different Greek and Roman elements and each differently affected by dynastic change, especially that from Antonine to Severan. Innovative theories of narrative are used to produce new readings of these works that bring political, literary and cultural perspectives together in a unified presentation of the Severan era as a distinctive historical moment.
Porphyry, a native of Phoenicia educated in Athens and Rome during the third century AD, was one of the most important Platonic philosophers of his age. In this book, Professor Johnson rejects the prevailing modern approach to his thought, which has posited an early stage dominated by 'Oriental' superstition and irrationality followed by a second rationalizing or Hellenizing phase consequent upon his move west and exposure to Neoplatonism. Based on a careful treatment of all the relevant remains of Porphyry's originally vast corpus (much of which now survives only in fragments), he argues for a complex unity of thought in terms of philosophical translation. The book explores this philosopher's critical engagement with the processes of Hellenism in late antiquity. It provides the first comprehensive examination of all the strands of Porphyry's thought that lie at the intersection of religion, theology, ethnicity and culture.
Studies of religious interaction in the fourth century AD have often assumed that the categories of 'pagan', 'Christian' and 'Jew' can be straightforwardly applied, and that we can assess the extent of Christianization in the Graeco-Roman period. In contrast, in this text, Dr Sandwell tackles the fundamental question of attitudes to religious identity by exploring how the Christian preacher John Chrysostom and the Graeco-Roman orator Libanius wrote about and understood issues of religious allegiance. By comparing the approaches of these men, who were living and working in Antioch at approximately the same time, she strives to get inside the process of religious interaction in a way not normally possible due to the dominance of Christian sources. In so doing she develops approaches to the study of Libanius' religion, the impact of John Chrysostom's preaching on his audiences and the importance of religious identity to fourth-century individuals.
Greek traditions of writing about food and the symposium had a long and rich afterlife in the first to fifth centuries CE, in both Greco-Roman and early Christian culture. This book provides an account of the history of the table-talk tradition, derived from Plato's Symposium and other classical texts, focusing among other writers on Plutarch, Athenaeus, Methodius and Macrobius. It also deals with the representation of transgressive, degraded, eccentric types of eating and drinking in Greco-Roman and early Christian prose narrative texts, focusing especially on the Letters of Alciphron, the Greek and Roman novels, especially Apuleius, the Apocryphal Acts of the Apostles and the early saints' lives. It argues that writing about consumption and conversation continued to matter: these works communicated distinctive ideas about how to talk and how to think, distinctive models of the relationship between past and present, distinctive and often destabilising visions of identity and holiness.
Galen is the most important medical writer in Graeco-Roman antiquity, and also extremely valuable for understanding Graeco-Roman thought and society in the second century AD. This volume of essays locates him firmly in the intellectual life of his period, and thus aims to make better sense of the medical and philosophical 'world of knowledge' that he tries to create. How did Galen present himself as a reader and an author in comparison with other intellectuals of his day? Above all, how did he fashion himself as a medical practitioner, and how does that self-fashioning relate to the performance culture of second-century Rome? Did he see medicine as taking over some of the traditional roles of philosophy? These and other questions are freshly addressed by leading international experts on Galen and the intellectual life of the period, in a stimulating collection that combines learning with accessibility.
From the first to third century AD Greek athletics flourished as never before. This book offers exciting readings of those developments. Drawing on a wide range of evidence, it sheds light on practices of athletic competition and athletic education in the Roman Empire. In addition it examines some of the ways in which athletic activity was represented within different texts and contexts. Most importantly, the book shows how discussion and representation of athletics could become entangled with many other areas of cultural debate, and used as a vehicle for many different varieties of authorial self-presentation and cultural self-scrutiny. It also argues for complex connections between different areas of athletic representation, particularly between literary and epigraphical texts. It offers re-interpretations of a number of major authors, especially Lucian, Dio Chrysostom, Pausanias, Silius Italicus, Galen and Philostratus.
The Periegesis Hellados (Description of Greece) by Pausanias is the most important example of non-fictional travel literature in ancient Greek. With this work Professor Hutton examines Pausanias' arrangement and expression of his material and evaluates his authorial choices in light of the contemporary literary currents of the day and in light of the cultural milieu of the Roman empire in the time of Hadrian and the Antonines. The descriptions offered in the Periegesis Hellados are also examined in the context of the archaeological evidence available for the places Pausanias visited. This study reveals Pausanias to be a surprisingly sophisticated literary craftsman and a unique witness to Greek identity at a time when that identity was never more conflicted.
This study explores the development of ancient festival culture in the Greek East of the Roman Empire, paying particular attention to the fundamental religious changes that occurred. After analysing how Greek city festivals developed in the first two Imperial centuries, it concentrates on the major Roman festivals that were adopted in the Eastern cities and traces their history up to the time of Justinian and beyond. It addresses several key questions for the religious history of later antiquity: who were the actors behind these adoptions? How did the closed religious communities, Jews and pre-Constantinian Christians, articulate their resistance? How did these festivals change when the empire converted to Christianity? Why did emperors not yield to the long-standing pressure of the Church to abolish them? And finally, how did these very popular festivals - despite their pagan tradition - influence the form of the newly developed Christian liturgy?
