三民網路書店 / 搜尋結果

Between 1989 and 1993, with the end of the Cold War, Tiananmen, and Deng Xiaoping's renewed reform, Chinese intellectuals said goodbye to radicalism. In newly-founded journals, interacting with those who had left mainland China around 1949 to revive Chinese culture from the margins, they now challenged the underlying creed of Chinese socialism and the May Fourth Movement that there was 'no making without breaking'. Realistic Revolution covers the major debates of this period on radicalism in history, culture, and politics from a transnational perspective, tracing intellectual exchanges as China repositioned itself in Asia and the world. In this realistic revolution, Chinese intellectuals paradoxically espoused conservatism in the service of future modernization. They also upheld rationalism and gradualism after Maoist utopia but concurrently rewrote history to re-establish morality. Finally, their self-identification as scholars was a response to rapid social change that nevertheless l

Between 1989 and 1993, with the end of the Cold War, Tiananmen, and Deng Xiaoping's renewed reform, Chinese intellectuals said goodbye to radicalism. In newly-founded journals, interacting with those who had left mainland China around 1949 to revive Chinese culture from the margins, they now challenged the underlying creed of Chinese socialism and the May Fourth Movement that there was 'no making without breaking'. Realistic Revolution covers the major debates of this period on radicalism in history, culture, and politics from a transnational perspective, tracing intellectual exchanges as China repositioned itself in Asia and the world. In this realistic revolution, Chinese intellectuals paradoxically espoused conservatism in the service of future modernization. They also upheld rationalism and gradualism after Maoist utopia but concurrently rewrote history to re-establish morality. Finally, their self-identification as scholars was a response to rapid social change that nevertheless l

本書以雲南為中心，充分利用既有研究成果，在梳理雲南民族關係演進趨勢的基礎上，重點考察文化生產的主體、結構、產品內容、生產方式的歷史變遷，對不同類型的文化生產與民族關係的形成、發展以及政經秩序的建構、轉型之間的關聯做個案研究。作者希冀由此獲得關於文化生產與民族關係建構的典型資料，並為文化產業和公共文化服務在建構平等和諧民族關係中發揮積極作用提供理論和經驗支持。