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In The Bowery in two inadequate descriptive systems (1974--1975)Martha Rosler bridged the concerns of conceptual art with those of political documentary. The work,a series of twenty-one black-and-whit

In The Bowery in two inadequate descriptive systems (1974--1975)Martha Rosler bridged the concerns of conceptual art with those of political documentary. The work,a series of twenty-one black-and-whit

The work of Martha Rosler is perennially incisive, provocative, political, and timely, exploring a range of issues from everyday life and the media to architecture and the built environment, espe

"I want to make art about the commonplace, art that illumines social life. I want to enlist art to question the mythical explanations of everyday life that take shape as an optimistic rationalism and

The first comprehensive collection of writings byMartha Rosler considers the intersection of art and politics, theoperation of art systems, feminist art practices, and the media.

The first comprehensive collection of writings byMartha Rosler considers the intersection of art and politics, theoperation of art systems, feminist art practices, and the media.

City scenes have been chronicled in photographs since the early 1800s, but street photography as traditionally defined has captured a relatively narrow field of these images. Revolutionizing the histo

How the Vietnam War changed American artBy the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home—between Americans for and against the war and th

Wark brings together a wide range of artists, including Lisa Steele, Martha Rosler, Lynda Benglis, Gillian Collyer, Margaret Dragu, and Sylvie Tourangeau, and provides detailed readings and viewings o

The complicity of the image: photography at the intersection of police surveillance, corporate/state control and artificial intelligenceHow are images being utilized to gather data on our daily activities? With the development and advancement of artificial intelligence, there has been a radical change in the way surveillance systems capture, categorize and synthesize photographs. Mirror with a Memory explores the intersection between AI, photography and surveillance--its past, present and future--to underscore concerns about implicit bias, right to privacy and police monitoring embedded in corporate, military and law enforcement applications. Contributors include: Zach Blas, Simone Brown, Joy Buolamwini, Oliver Chanarin, Adrian Chen, Harun Farocki, Forensic Architecture, Lynn Hershman Leeson, Trevor Paglen, Martha Rosler and Martine Syms.

This thought-provoking book explores the increasing visibility of women’s art in Britain, Europe and America.Considers the work of American artists Martha Rosler and Kara Walker, Irish artist Al