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可以哭嗎？當然可以！哭成讓動物戲水的噴泉、哭成煮麵水(還不用額外加鹽多方便)，這本古怪又滑稽的繪本要翻轉哭泣和它帶來的負面聯想。無論看完讓你破涕為笑，或是如書中角色哭到要套上泳圈，最重要的是：學習辨識情緒，並找到好好處理它的方式 。A quirky and surprisingly funny picture book about the many practical uses for tears, for fans of Big Feelings.In an attempt to cheer up a sad-looking worm, a narrator makes things worse by causing the worm to cry. But in the process of trying to make the sobbing worm feel better, the narrator starts to think of the various ways tears can be used productively.For example, if you’re sad around lunchtime, cry until you fill a pot with your tears and boil pasta ― you won’t even need to season with salt! Crying can be used to dilute paint, and with paint, you can make beautiful art. Crying also serves lots of different purposes. Without tears, the rivers would dry up. Clouds would keep getting bigger and bigger. And crying also helps the pears to grow, and with pears, you can make jam. Jam makes people happy, and can help staunch the flow of tears . . . at least until the jam

「設計並無法拯救世界，只有活著的人們可以；但是設計能夠給帶給我們靈感、工具和意義，使人們擁有不怕嘗試的決心。」――麥可・貝汝（Michael Bierut） ＊作者獲獎紀錄：2003年　獲選進入「美術指導名人堂」2006年　美國平面設計師協會獎章2008年　美國國家設計獎2015年　紐約視覺藝術學院第27屆年度大師系列獎 ＊引你思考與解決問題：・如何為擁有悠久歷史的品牌，在保有經典元素下，打造出全新形象？・如何讓創新品牌能在競爭對手間脫穎而出，但又要避免陳腔濫調？・如何在預算被刪減、不斷被退件，甚至客戶還忍不住幫你想點子狀況下，完成皆大歡喜的設計？・如何將大量複雜的資訊塞進有限的版面中，打造全新的閱讀體驗？ 這些問題有許多可能的答案。即便沒有任何一個答案會是最終解答，但每一項解答都會很有趣。而你最大的樂趣就是找到How To――該如何做。 本書以超過700張彩圖呈現麥可・貝汝的經典作品，他以坦率、具洞察力的觀點，無私分享設計背後創意發想、解決困境、溝通協調，最終打造出完美設計的歷程。不管是不是設計專業人士，都能從中獲得源源不絕的靈感。 ＊關於設計，作者這樣說： 「其實大家不在意字體和顏色，它們只是其他某種元素的傳遞機制。什麼元素呢？『想法』。這幅畫雖然的確很粗糙，卻是一種想法，能夠給人驚喜、十分吸引人，又有娛樂效果。就在塗鴉的那一刻，我意識到，原來內容比形式更為重要。」──〈如何產生想法〉 「在任何藝術形式中，風格都是必然存在的，平面設計尤其如此。多數平面設計的案子裡，功能需求往往最簡單。之後，所有包含字體、色彩、排版、材質和製作方式等決定，則都是取決於個人喜好，這也就形成了大家所說的『品味』。」──〈如何超越風格〉 「我相信一個偉大品牌最重要的特徵就是一致性。但這不是指千篇一律。千篇一律是靜止的，毫無生命，而一致性是具有互動感與活力的。」──〈如何不靠商標也有辨識度〉 「平面設計師對於陳腔濫調又愛又恨，『又愛又恨』本身也是一種陳腔濫調。好的外包裝要能在競爭對手之間脫穎而出，但如果看起來太過與眾不同，就會讓消費者感到困惑，甚至把他們嚇跑。因此，每一個平面設計解決的方案，都必須在撫慰人心與陳腔濫調之間遊走。」──〈如何避免過度直白〉 「全新的商標其實不會只有單一意涵。商

The first monograph, design manual, and manifesto by Michael Bierut, one of the world’s most renowned graphic designers—a career retrospective that showcases more than thirty-five of his most notewort

Deals with graphic design ideas. This title shows historic images, preliminary drawings, working models and rejected alternatives, as well as the finished work.

Kelly Cutrone has long been mentoring women on how to make it in one of the most competitive industries in the world. She has kicked people out of fashion shows, forced some of reality television's

We are taught not to throw good money after bad or to cry over spilt milk. Yet we do both, otherwise we would not be taught not to. People often make choices based on what has been lost rather than wh

A book that may make you laugh, and may make you cry. A tale about the gentle side of life, featuring people and places that we all, if we were honest, would like to find. But is the genial central ch

We are taught not to throw good money after bad or to cry over spilt milk. Yet we do both, otherwise we would not be taught not to. People often make choices based on what has been lost rather than wh

A perfect stocking filler - whether Brexit makes you laugh or cry, Ladybird's The Story of Brexit will just make you laugh. __________________________________ ' "Leaving was the will of the people," s

A peculiar and fascinating aspect of many responses to mass atrocities is the creative and eclectic use of religious language and frameworks. Some crimes are so extreme that they 'cry out to heaven', drawing people to employ religious vocabulary to make meaning of and to judge what happened, to deal with questions of guilt and responsibility, and to re-establish hope and trust in their lives. Moreover, in recent years, religious actors have become increasingly influential in worldwide contexts of conflict-resolution and transitional justice. This collection offers a critical assessment of the possibilities and problems pertaining to attempts to bring religious - or semi-religious - allegiances and perspectives to bear in responses to the mass atrocities of our time: When and how can religious language or religious beliefs and practices be either necessary or helpful? And what are the problems and reasons for caution or critique? In this book, a group of distinguished scholars explore t

A peculiar and fascinating aspect of many responses to mass atrocities is the creative and eclectic use of religious language and frameworks. Some crimes are so extreme that they 'cry out to heaven', drawing people to employ religious vocabulary to make meaning of and to judge what happened, to deal with questions of guilt and responsibility, and to re-establish hope and trust in their lives. Moreover, in recent years, religious actors have become increasingly influential in worldwide contexts of conflict-resolution and transitional justice. This collection offers a critical assessment of the possibilities and problems pertaining to attempts to bring religious - or semi-religious - allegiances and perspectives to bear in responses to the mass atrocities of our time: When and how can religious language or religious beliefs and practices be either necessary or helpful? And what are the problems and reasons for caution or critique? In this book, a group of distinguished scholars explore t