Recent developments in Pentateuchal studies - from both diachronic (historical) and synchronic (literary-textual) perspectives - have made it possible to read Genesis 18 and 19, the evocative story of
Giacomo Meyerbeer (1791a€“1864) was a great musical dramatist in his own right. The fame of his operas rests on his radical treatment of form, his development of scenic complexes and greater plasticit
