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In this magisterial study, John McWilliams traces the development of New England's influential cultural identity. Through written responses to historical crises from early New England through the pre-Civil War period, McWilliams argues that the meaning of 'New England' despite claims for its consistency was continuously reformulated. The significance of past crises was forever being reinterpreted for the purpose of meeting succeeding crises. The crises he examines include starvation, the Indian wars, the Salem witch trials, the revolution of 1775–76 and slavery. Integrating history, literature, politics and religion this is one of the most comprehensive studies of the meaning of 'New England' to appear in print. McWilliams considers a range of writing including George Bancroft's History of the United States, the political essays of Samuel Adams, the fiction of Nathaniel Hawthorne and the poetry of Robert Lowell. This compelling book is essential reading for historians and literary

This book considers the portrayal of the American national character in the writings of Nathaniel Hawthorne and Herman Melville. It examines Hawthorne's abiding concern with the development of New England from colony to province to republic, and analyses Melville's changing evocation of 'the new American', and the difficulties he faced in sustaining his heady nationalistic faith.

In this magisterial study, John McWilliams traces the development of New England's influential cultural identity. Through written responses to historical crises from early New England through the pre-Civil War period, McWilliams argues that the meaning of 'New England' despite claims for its consistency was continuously reformulated. The significance of past crises was forever being reinterpreted for the purpose of meeting succeeding crises. The crises he examines include starvation, the Indian wars, the Salem witch trials, the revolution of 1775–76 and slavery. Integrating history, literature, politics and religion this is one of the most comprehensive studies of the meaning of 'New England' to appear in print. McWilliams considers a range of writing including George Bancroft's History of the United States, the political essays of Samuel Adams, the fiction of Nathaniel Hawthorne and the poetry of Robert Lowell. This compelling book is essential reading for historians and literary

Mining and Fishing have been the staple industries of Cornwall for two millennia. John McWilliams looks at the rise and decline of Cornish fishing in this new history.

This book is an account of the ways the promise and threat of political revolution has informed historical novels from Walter Scott to the near present. Building upon of the Marxist scholarly traditio

The concept behind New Mexico: A Glimpse Into an Enchanted Land, has been in the author's mind for about ten years. This book is a single-volume, easily-readable reference that is both entertaining an

John McWilliams's 1990 book was the first thorough account of the many attempts to fashion an epic literature (the anxiously anticipated 'American Epic') from a wide range of potentially heroic New World subjects. At the outset, McWilliams considers the many problems - cultural, political and literary' - of adapting Enlightenment views of republican progress to a genre that had traditionally celebrated the greatness of warriors. After a survey of the many epic poems written during and after the American Revolution, McWilliams shows how and why the epic had to be transformed from imitative narrative poetry into the new, open genres of prose history (Irving, Prescott and Parkman), fictional romance (Cooper and Melville) and free verse (Whitman). Believing that reviews are an important and slighted agent of literary change, McWilliams has written his book in the form of chronological literary history. His book, however, is no march of dates within tired categories. The American Epic

Tuscumbia sits at the foothills of the Appalachian Mountains in northwest Alabama in an area known as the Shoals. The area is rich with history beginning with the Native Americans who lived near the b

John McWilliams's 1990 book was the first thorough account of the many attempts to fashion an epic literature (the anxiously anticipated 'American Epic') from a wide range of potentially heroic New World subjects. At the outset, McWilliams considers the many problems - cultural, political and literary' - of adapting Enlightenment views of republican progress to a genre that had traditionally celebrated the greatness of warriors. After a survey of the many epic poems written during and after the American Revolution, McWilliams shows how and why the epic had to be transformed from imitative narrative poetry into the new, open genres of prose history (Irving, Prescott and Parkman), fictional romance (Cooper and Melville) and free verse (Whitman). Believing that reviews are an important and slighted agent of literary change, McWilliams has written his book in the form of chronological literary history. His book, however, is no march of dates within tired categories. The American Epic

Progressing at a dizzying, frenetic pace, the 1960s were synonymous with rebellion and conflict. No other decade in the 20th century was so tumultuous. This gripping and engagingly written guide to t

Small college professors from across the United States explain why liberal arts institutions remain the gold standard for higher education.

Small college professors from across the United States explain why liberal arts institutions remain the gold standard for higher education.

The second of Cooper's five Leatherstocking Tales, this is the one which has consistently captured the imagination of generations since it was first published in 1826. It's success lies partly in the

Throughout the era of the Cold War a consensus reigned as to what constituted the great works of American literature. Yet as scholars have increasingly shown, and as this volume unmistakably demonstr