Hiding the Audience examines how the development of Canadian prairie arts institutions in the context of an implicitly Euro- or Anglo-Canadian audience clashed with the creation of regional arts that
Amer-European settlement of the Great Plains transformed bountiful Native soil into pasture and cropland, distorting the prairie ecosystem that the peoples who originally populated the land had long u
The myths of settlement of the Great Plains usually conjure up images of Anglo-American pioneers moving into a sea of grass, opposed by Native peoples. Such myths leave out the considerable influence
Ideal for courses in American history, this book gathers first-person accounts of the trauma of the Thirties in the Heartland and assesses these accounts from the distance of several decades
