Though a Bostonian by birth and upbringing, Winslow Homer lived and maintained his studio in New York City for twentyfive years, establishing himself as a leading figure in New York's art world. In 18
Drawn from those given at a conference held at Syracuse U. in May 2000, these eight critical essays examine this most rich and varied era in printmaking. Contributors give context, analyze the nationa
Although he gained his fame as a painter, Winslow Homer also was responsible for a large corpus of black-and-white wood engravings that appeared in Harper's Weekly , Every Saturday , and other magaz
Published to coincide with an exhibition of the nineteenth-century artist's fly-fishing paintings, an examination of the author's inspirations and works notes his use of watercolors and his insight in
