In The Nazarenes, Cordula Grewe presents a timely revisionist account of the Nazarenes, a group of early nineteenth-century German artists who have been occasionally reviled, but more often ignored, i
The 19th-century German school of painters known as the Nazarenes, which created medievalizing works on themes of nationalism and Christian idealism, is the subject of this fine study by Grewe (Columb
