Laughing at the Devil is an invitation to see the world with a medieval visionary now known as Julian of Norwich, believed to be the first woman to have written a book in English. (We do not know her
Laughing at the Devil is an invitation to see the world with a medieval visionary now known as Julian of Norwich, believed to be the first woman to have written a book in English. (We do not know her
Presents an analysis of corporate-inspired family ideas that were found in the mainstream media during the twentieth century and their impact on middle-class Protestants.
This is a major study of Kierkegaard and love. Amy Laura Hall explores Kierkegaard's description of love's treachery, difficulty, and hope, reading his Works of Love as a text that both deciphers and complicates the central books in his pseudonymous canon: Fear and Trembling, Repetition, Either/Or, and Stages on Life's Way. In all of these works, the characters are, as in real life, complex and incomplete, and the conclusions are perplexing. Hall argues that a spiritual void brings each text into being, and her interpretation is as much about faith as about love. In a style that is both scholarly and lyrical, she intimates answers to some of the puzzles, making a poetic contribution to ethics and the philosophy of religion.
This is a major study of Kierkegaard and love. Amy Laura Hall explores Kierkegaard's description of love's treachery, difficulty, and hope, reading his Works of Love as a text that both deciphers and complicates the central books in his pseudonymous canon: Fear and Trembling, Repetition, Either/Or, and Stages on Life's Way. In all of these works, the characters are, as in real life, complex and incomplete, and the conclusions are perplexing. Hall argues that a spiritual void brings each text into being, and her interpretation is as much about faith as about love. In a style that is both scholarly and lyrical, she intimates answers to some of the puzzles, making a poetic contribution to ethics and the philosophy of religion.
Seven performers read seven folkltales from around the world, with musical accompaniment by Laura Hall reflecting the country of origin; accompanying illustrations by Jillian Gilliland.
