Mozart was not only an extraordinary musical genius but a man who lived through the great change from the old society to the modern one in which we still live, when people began to move from accepting the Christian scheme of things to standing alone, from letting themselves be ruled by parents and superiors to rebelling against them. He was himself one of the 'new men' of the age; his music gives voice to anxieties and consolations that are still ours. This book, first published in 1998, sets Mozart's life within the history of an age plunging into revolution and European war. It probes his crucial relationships with his father and his wife but avoids guesswork. It studies - in depth though in non-technical language - characteristic examples of his music and asks what they can tell us about their author and ourselves.
'That great blue Sphinx', Debussy called the sea. Debussy himself was something of a Sphinx: in the early 1890s he was thinking of 'founding a society for musical esotericism', and although, on the surface, most of his music is instantly engaging and accessible, at a deeper level run currents that are dangerous, unpredictable, destructive. In this biography, Roger Nichols considers the life and music of this seminal figure, charting the currents and the whirlpools in which other humans were sometimes unlucky enough to get caught. Debussy's status is such that no modern composer has been able to ignore him, asking, as he does, any number of riddles to which late twentieth-century music is still searching for answers.
With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginn
Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural,
This three-volume set covers all the major figures in 20th century music, including composers and performers along with descriptions of their most important works. Approximately 400 alphabetically arr
Jan Swafford's colorful biography first unfolds in Ives's Connecticut hometown of Danbury, then follows Ives to Yale and on to his years in New York, where he began his double career as composer and
This outstanding book treating the three most beloved composers of the Vienna School is basic to any study of Classical-era music. Drawing on his rich experience and intimate familiarity with the wor
This volume examines the music of French composer Henri Dutilleux (b. 1916), tracing the evolution of his musical style from the early works and investigating his compositional process and his use of
Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetori
Revealing critical and biographical portrait of one of the 20th century's most influential composers. Text surveys, analyzes, and comments on the evolution of the composer's works, offering fascinati
The Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.
As a measure of individual and collective identity, music offers both striking metaphors and tangible data for understanding societies in transition—and nowhere is this clearer than in the recent case
The world of Alban Berg is full of paradoxes, secrets and allusions, but he was able to handle emotional and moral issues at a distance and with profound sympathy. His unhurried, almost aristocratic attitude to life and his extreme self-criticism in professional matters resulted in an extraordinarily small musical output, but it includes towering masterpieces such as the operas Wozzeck and Lulu, and his last work, the Violin Concerto. All of Berg's substantial works are discussed in this Companion which brings together a team of experts who write from a variety of historical and critical perspectives, outlining the place of the music in the cultural history of its time and recontextualising it against the broader twentieth-century interplay of fashions, aesthetics and ideas.
'... a person should remain a 'person' and not be frozen into a legend' (Alma Mahler). As a leading European conductor, and the composer of enormous and controversial symphonies, Gustav Mahler (1860–1911) inspired mythologisers in his own lifetime. Some of them were personal friends, concerned to counter biased criticism of him in which German-nationalist, hide-bound traditionalist or anti-semitic elements were often mixed. In this 1997 biography, Peter Franklin re-confronts the myth of Mahler the misunderstood hero and attempts to find the person, or persons, behind the legends: the profoundly sensitive thinker and composer, the dictatorial conductor and husband, the iconoclast, the traditionalist. Mahler's life and work emerge as a battle-ground for some of the major conflicting currents and impulses of his period, in which Empires and ideals struggled with the spectre of their own destruction.
