Dimensions of Originality investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the ter
For students of Chinese art and culture this anthology has proven invaluable since its initial publication in 1985. It collects important Chinese writings about painting, from the earliest examples th
Around 1145 the Southern Song dynasty official Lou Shu inaugurated a genre known as pictures of tilling and weaving through the creation of a pair of paintings that depicted farming families cultivati
