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Author Carl Little offers a compelling account of Becton's progress as an artist, from his studies in graphic design and photography at Yale in the 1970s to the creation of his signature digital montages over the past 25 years. He explores Becton's fascination with vintage New England houses and their furnishings, and how the artist draws upon his surroundings on the coast of Maine and elsewhere to create surreal scenarios than hark back to Rene Magritte as well as Edward Hopper and Andrew Wyeth.Appreciations by art writer and novelist Deborah Weisgall; Dan Mills, director of the Bates College Museum of Art; and art critic Peter Plagens help complete this portrait of a master of photo-based art.
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Carl Little is the author of William Irvine, A Painter's Journey, Edward Hopper's New England, The Watercolors of John Singer Sargent, The Art of Dahlov Ipcar, and Eric Hopkins: Above and Beyond which won the first John N. Cole Prize from Maine Writers and Publishers Alliance. He is a regular contributor to Art New England, Ornament, and Maine Boats, Homes & Harbors. An ex-New Yorker, Little moved to Maine in 1989; he has written and lectured on Maine art ever since. His poetry has appeared in a wide range of journals as well as in Ocean Drinker: New & Selected Poems and two anthologies edited by Wesley McNair. A resident of Somesville on Mount Desert Island, Little is director of communications and marketing at the Maine Community Foundation.
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