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One big slice of cheesecake: Pin-up travels the long road from barracks wall to high art
In the 15 years since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today. Pin-up, defined as drawings or paintings of pretty girls that stop short of frank nudity, was produced between 1920 and 1970, and much of it was discarded by publishers and calendar companies after printing. Today it’s huge, and ripe for an equally huge and truly comprehensive collector’s edition.
Formidably sized, The Art of Pin-up is an impressive book that will be coveted by casual fans as well as hardcore pin-up collectors. The reproduction quality of the paintings, pastels, and preparatory sketches—largely sourced from the original art—invites the viewer to trace the brush strokes in these full-page delights. Each chapter contains exquisite period calendars, vintage prints, and original model photos, documenting the artists’ creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world’s largest archive of vintage pin-up calendars.
Following the chapters on the 15 featured artists, the book concludes with an ""Encyclopedia of Pin-up,"" featuring thumbnail bios and representative art of 72 additional artists, the most complete compendium of pin-up artists ever compiled. All this adds up to a hard-to-beat book on this popular subject.
Formidably sized, The Art of Pin-up is an impressive book that will be coveted by casual fans as well as hardcore pin-up collectors. The reproduction quality of the paintings, pastels, and preparatory sketches—largely sourced from the original art—invites the viewer to trace the brush strokes in these full-page delights. Each chapter contains exquisite period calendars, vintage prints, and original model photos, documenting the artists’ creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world’s largest archive of vintage pin-up calendars.
Following the chapters on the 15 featured artists, the book concludes with an ""Encyclopedia of Pin-up,"" featuring thumbnail bios and representative art of 72 additional artists, the most complete compendium of pin-up artists ever compiled. All this adds up to a hard-to-beat book on this popular subject.
作者簡介
The editor:
Dian Hanson was born in Seattle in 1951. For 25 years she produced various men’s magazines, including Puritan, Juggs and Leg Show, before becoming TASCHEN's sexy book editor in 2001. Her many books for TASCHEN include The New Erotic Photography Vol. 2 and Robert Crumb: Sketchbooks 1982-2011. She lives in Los Angeles.
The contributing authors:
Sarahjane Blum is an author, cultural historian, and co-owner of Grapefruit Moon Gallery, which specializes in original American illustration art. She lives in Minneapolis, Minnesota.
Louis Meisel is owner of one of the oldest pin-up and illustration art galleries in New York. He is the co-author of TASCHEN’s The Great American Pin-up and Gil Elvgren: All his Glamorous American Pin-ups.
Dian Hanson was born in Seattle in 1951. For 25 years she produced various men’s magazines, including Puritan, Juggs and Leg Show, before becoming TASCHEN's sexy book editor in 2001. Her many books for TASCHEN include The New Erotic Photography Vol. 2 and Robert Crumb: Sketchbooks 1982-2011. She lives in Los Angeles.
The contributing authors:
Sarahjane Blum is an author, cultural historian, and co-owner of Grapefruit Moon Gallery, which specializes in original American illustration art. She lives in Minneapolis, Minnesota.
Louis Meisel is owner of one of the oldest pin-up and illustration art galleries in New York. He is the co-author of TASCHEN’s The Great American Pin-up and Gil Elvgren: All his Glamorous American Pin-ups.
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