Lost in Seeing ― Italy, Thirty Years of Visions
- ISBN13：9788869650826
- 出版社：Consortium Book Sales & Dist
- 作者：Mimmo Jodice (PHT); Francine Prose
- 裝訂／頁數：精裝／276頁
- 規格：28.6cm*26.7cm*3.2cm (高/寬/厚)
- 出版日：2008/04/01
定 價：NT$ 2275 元
無庫存，下單後進貨(到貨天數約30-45天)
可得紅利積點：68 點
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商品簡介
Lost in seeing registers a journey lasting 30 years through the changes of the Italian scene. Mimmo Jodice, one of the most leading Italian photographers, offers a record of his travels in a mosaic made up of unexpected visions and unseen things, famous places and territories of the imagination.
Mimmo Jodice crosses the country from the North to the South in his modern Grand Tour, drawing a comprehensive portrait made up of striking images. The Jodice's magic realism leads us to the Mediterranean islands, the Italian countryside, the restoration of St Peter's church in Rome, the decommissioning of Venice-Marghera, the remains of Pompei, the urban transformations and the sites of archeology.
Seen through his lens, Italy takes on a whole new aspect: even its landmarks vibrate with movement and possibility.
Mimmo Jodice crosses the country from the North to the South in his modern Grand Tour, drawing a comprehensive portrait made up of striking images. The Jodice's magic realism leads us to the Mediterranean islands, the Italian countryside, the restoration of St Peter's church in Rome, the decommissioning of Venice-Marghera, the remains of Pompei, the urban transformations and the sites of archeology.
Seen through his lens, Italy takes on a whole new aspect: even its landmarks vibrate with movement and possibility.
作者簡介
Mimmo Jodice is one of the main names in the history of photography. He was born in Naples in 1934 and from 1970 to 1996 he taught at Accademia di Belle Arti of Naples. Avanguard photographer in the sixties, he has been since then a prominent protagonist of the Italian cultural debate acquiring an international reputation through numerous exhibitions and The author of ten highly acclaimed novels, Prose is a contributing editor at Harper's and writes on art for the Wall Street Journal.
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