商品簡介
Generating an exciting poetic dialogue that is as insightful as it is eloquent and creative, this combined poem and complementary philosophical analysis is an astute rendering of the intersection of intellect and language as an art form. With the original French preserved on the facing pages, this collaborative work by an emerging French poet, Virginie Lalucq, and the distinguished philosopher Jean-Luc Nancy presents a startlingly robust poetic experience. The serial poem “Fortino Samano” is a meditation on a photo of the eponymous subject, taken by Mexican photographer Agustin Victor Casasola during the Mexican Revolution. In the image Samano, a Zapatista lieutenant and counterfeiter, appears to stare death nonchalantly in the face moments before his execution by firing squad. The poem makes no attempt to craft a biography or history of the man, but instead treats the image itself—reflecting on the fact that the camera caught the image of life just prior to its end. Jean-Luc Nancy contributes a series of commentaries on the poem, creating a philosophical contemplation of “Fortino Samano” but also a poetic investigation of the lyric genre that works hand-in-hand with the poem itself. The inspiring union becomes an altogether unique poetic experience with an unmatchable depth and plenty to ruminate on during each subsequent re-reading of this delightful and impressive project.
作者簡介
Virginie Lalucq is the author of numerous books and her poetry has been included in anthologies and journals in France. She is a founding member of the editorial collective for the journal Nioques and is a librarian at the National Foundation of the Political Sciences in France. Jean-Luc Nancy is an author with an education in philosophy and biology. His books include Being Singular Plural and Listening. He was a distinguished professor of psychology at the Universite Marc Bloch and has been a visiting professor at various prestigious institutions worldwide. Sylvain Gallais is a professor of economics and French at Arizona State University, and has also served as their coordinator of the French program in the International School of Languages and Cultures. His books include France Encounters Globalization. Cynthia Hogue has published seven collections of poetry, including The Incognito Body and Or Consequence. She is the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry in the creative writing program at Arizona State University. Gallais and Hogue live in Phoenix, Arizona.
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