Music and Performance Culture in Nineteenth-Century Britain ─ Essays in Honour of Nicholas Temperley
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This is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. An introduction explores Nicholas Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions.
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Bennett Zon is Professor of Music at Durham University and Co-Director of the International Network for Music Theology. Zon researches British culture of the long nineteenth-century, with particular interest in the relationship of music to evolutionary and theological thought. He has published The English Plainchant Revival (1999), Music and Metaphor in Nineteenth-Century British Musicology (2000) and Representing Non-Western Music in Nineteenth-Century Britain (2007). Zon is General Editor of Nineteenth-Century Music Review and the 'Music in Nineteenth-Century Britain' book series.
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