商品簡介
Although Eugene O'Neill's work has generated much scholarship, his one-act plays have not received the critical attention they deserve. Given that O'Neill began his career writing such plays, including his justly famous "Sea Plays," associated with the Provincetown Players, it is surprising that his one-acts have been largely neglected. This collection aims to fill the gap by examining these texts, during what can be considered O'Neill's formative writing years, and the foundational period of American drama. A wide-ranging investigation into O'Neill's one-acts, the contributors shed light on a less-explored part of his career and assist scholars in understanding O'Neill's entire oeuvre.
作者簡介
Michael Y. Bennett is an assistant professor of English in Drama at the University of Wisconsin-Whitewater. He is the author of Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter (2011) and Words, Space, and the Audience: The Theatrical Tension between Empiricism and Rationalism (2012). He is also the editor of Refiguring Oscar Wilde's Salome.
Benjamin D. Carson is an associate professor and chair of the Department of English at Bridgewater State University. He has published essays on Edith Wharton, Gerald Vizenor, Ana Castillo, and Clarence Major, and edited Sovereignty, Separatism, and Survivance: Ideological Encounters in the Literature of Native North America.
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