The Horse As Cultural Icon ─ The Real and the Symbolic Horse in the Early Modern World
- 系列名：Intersections: Interdisciplinary Studies in Early
- ISBN13：9789004212060
- 替代書名：The Horse As Cultural Icon
- 出版社：Brill Academic Pub
- 作者：Peter Edwards (EDT); Karl A. E. Enenkel (EDT); Elspeth Graham (EDT)
- 裝訂／頁數：精裝／407頁
- 規格：24.1cm*16.5cm*2.5cm (高/寬/厚)
- 出版日：2011/10/31
定 價：NT$ 7875 元
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The Early Modern Horse network held the conference The Renaissance Horse, in London during June 2009 to mark retirement of social historian Edwards from Roehampton University. Scholars of history, art history, and literature explore horsemanship and status, horse breeding, and horse-human identities. Among the topics are equestrian iconography and the training of horse, rider, and reader; the legacy of Federico Grisone; the horse in Africa in the 16th and 17th centuries; equine imagery in Shakespeare's Henriad; and the military value of horses and the social value of the horse in early modern England. Annotation c2012 Book News, Inc., Portland, OR (booknews.com)
作者簡介
Peter Edwards, D.Phil. (Oxon 1976), is Professor of Early Modern British Social History at Roehampton University London. He has published extensively on the role of horses in early modern society, including the book, Horse and Man in Early Modern England.Karl A.E. Enenkel, Ph.D. (Leiden, 1990) is Professor of Medieval and Neo-Latin Literature at the University of Munster, Germany, and member of the Royal Netherlands Academy of Arts and Sciences (KNAW). He has published on international Humanism, the reception of Classical Antiquity, the history of ideas, literary genres and emblem studies. Elspeth Graham, Ph.D. (Manchester, 1986) is Head of English and Reader in Early Modern Studies at Liverpool John Moores University. She has published on seventeenth-century women's writing and religious radicalism as well as on early-modern and modern horse cultures.
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