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商品簡介
Against Theatre shows that the most prominent writers of modern drama shared a radical rejection of the theatre as they knew it. Together with designers, composers and film makers, they plotted to destroy all existing theatres. But from their destruction emerged the most astonishing innovations of modernist theatre.
作者簡介
ALAN ACKERMAN is an Associate Professor in the Department of English at the University of Toronto, Canada, author of The Portable Theatre: American Literature and the Nineteenth-Century Stage, and editor of the journal Modern Drama.
MARTIN PUCHNER is the H. Gordon Garbedian Professor of English and Comparative Literature at Columbia University, USA, and the author of Stage Fright: Modernism, Anti-Theatricality, and Drama (2002) and Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (2006). His edited books and introductions include Six Plays by Henrik Ibsen (2003), Lionel Abel's Tragedy and Metatheatre (2003), and The Communist Manifesto and Other Writings (2005). He is co-editor of the forthcoming Norton Anthology of Drama and the editor of Theatre Survey.
MARTIN PUCHNER is the H. Gordon Garbedian Professor of English and Comparative Literature at Columbia University, USA, and the author of Stage Fright: Modernism, Anti-Theatricality, and Drama (2002) and Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (2006). His edited books and introductions include Six Plays by Henrik Ibsen (2003), Lionel Abel's Tragedy and Metatheatre (2003), and The Communist Manifesto and Other Writings (2005). He is co-editor of the forthcoming Norton Anthology of Drama and the editor of Theatre Survey.
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