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名人/編輯推薦
目次
商品簡介
《文化構成（英文版）》闡述了設計創新的文化構成之路，全書從構成設計、文化的含義、文化的元素、文化元素的結構、文化構成的方法、文化設計的原則和價值六個方面系統分析了文化的構成結構。並用了大量有關文化素材的圖片以闡明文化構成的原理。《文化構成》是作者在多年的研究與教學基礎之上逐漸提煉而成，向設計和文化工作者展示了一條創新之路，並對中國文化中的視覺元素進行了簡約而有系統的分析，是一本闡述文化和設計的好書。可供建築設計、工業設計、藝術設計類專業的設計師、教師、學生和研究人員參考。．
作者簡介
張麗萍，現任江漢大學高教所所長、副研究員。長期從事高等教育管理和教育研究，兼任湖北省教育史志研究會、行政管理學會理事會常務理事、《江漢大學學報》編委等職。主持完成湖北省人文社科研究重點課題1項及其他項目多項。主持教育部2011年人文社會科學研究規劃基金項目和省、市級科研課題多項。主編《十五副省級城市綜合大學發展藍皮書（2006－2010）》（32萬字）1部。發表學術論文30餘篇，其中在《高校理論戰線》、《高等教育研究》、《遼寧教育研究》等國內重要期刊、中文核心期刊發表論文10餘篇，被人民網、國研網全文轉載，被《中國高等教育》等重要權威期刊全文或摘要轉載。多篇被CSSCI收錄、引用，參編著作、論文集多部；個人先後獲武漢市科技進步三等獎、中國高教學會優秀成果一等獎、武漢市第十一次社會科學優秀成果三等獎、江漢大學教學成果特等獎等多項獎勵。完成國家社會科學基金“十五”規劃（教育學科）重點課題《高等教育發展速度、規模與資本市場關係的研究》（課題批准號：AIA010024），該項目2007年分獲湖北省科技進步三等獎、武漢市科技進步三等獎。長期從事城市綜合大學戰略管理，完成江漢大學“十一五”、“十二五”發展規劃編制工作。．
名人/編輯推薦
《文化構成(英文版)》編輯推薦：縱觀20世紀以來世界美術的發展，雖有邏輯可循，然與人類視覺審美的需求已漸行漸遠。《文化構成(英文版)》是作者潘云鶴在多年的研究與教學基礎之上逐漸提煉而成，向設計和文化工作者展示了一條創新之路，并對中國文化中的視覺元素進行了簡約而有系統的分析，是一本闡述文化和設計的好書。
《文化構成(英文版)》闡述了設計創新的文化構成之路，全書從構成設計、文化的含義、文化的元素、文化元素的結構、文化構成的方法、文化設計的原則和價值六個方面系統分析了文化的構成結構。并用了大量有關文化素材的圖片以闡明文化構成的原理。《文化構成(英文版)》可供建筑設計、工業設計、藝術設計類專業的設計師、教師、學生和研究人員參考。
《文化構成(英文版)》闡述了設計創新的文化構成之路，全書從構成設計、文化的含義、文化的元素、文化元素的結構、文化構成的方法、文化設計的原則和價值六個方面系統分析了文化的構成結構。并用了大量有關文化素材的圖片以闡明文化構成的原理。《文化構成(英文版)》可供建筑設計、工業設計、藝術設計類專業的設計師、教師、學生和研究人員參考。
目次
1 Composition Design
1.1 Nature of Composition Design
1.2 Development of Composition Design
2 Meaning of Culture
2.1 Significance of Culture
2.2 Material Culture and Non-Material Culture
2.3 Various Properties of Culture
2.3.1 Diachronism
2.3.2 Nationality
2.3.3 Region
2.3.4 Multi-media
2.3.5 Contextuality
2.3.6 Evolution
2.3.7 Blending
2.3.8 Tropism
2.4 Research on Culturology
2.5 Beauty of Culture
Bibliography
3 Elements of Culture
3.1 Elements of Chinese Culture
3.1.1 CulturalElements
3.1.2 Chinese Cultural Elements
3.2 Chinese Characters and Calligraphy
3.2.1 Development of Chinese Characters
3.2.2 Calligraphy
3.3 Seal Cutting
3.4 FineArts
3.4.1 Painting
3.4.2 Sculpture
3.5 Drama and Costumes
3.5.1 Drama
3.5.2 Trappings with Chinese Characteristics
3.6 Architecture
3.6.1 Characteristics of the Traditional Chinese Architectures
3.6.2 Palaces and Imperial Architecture
3.6.3 Religious Buildings and Temples
3.6.4 Landscape Gardens
3.6.5 Residential House
3.6.6 Pagodas and Others
3.7 Appliances
3.7.1 Furniture
3.7.2 Means of Transport
3.7.3 Lacquer Works and Other Containers
3.7.4 Stationery as well as Other Items
3.7.5 Tools
3.8 Handicrafts
3.8. 1 Pottery and Porcelain
3.8.2 Bronzewares
3.8.3 JadeWare
3.8.4 Toys
3.8.5 Paper-cut and Shadow Play
3.8.6 Cloisonn6
3.9 Folk Customs
Bibliography
The Structure of Cultural Elements
4.1 Analysis of the Difference between Cultural Elements and
Geometric Elements
4.2 Hierarchical Structure of Cultural Elements
4.3 Type Structure of Cultural Elements
4.4 Symbol Structure of Cultural Elements
4.4.1 Analyzed from the Relationship between Form and Meaning, Cultural Elements Are a Kind of Symbol
4.4.2 Cultural Elements Have Complicated Parts Called"Signifier" and "Signified"
4.4.3 The Formation Design of Cultural Elements Is a Kind of Formation Design ofBoth the Signifier and the Signified
4.5 The Multiple Attributes of Cultural Elements
4.5.1 Double-Form Attribute of Cultural Elements
4.5.2 The Double Meaning Attribute of Cultural Elements
4.5.3 Analysis and Application of Attributes of Cultural Elements
Bibliography
5 Methodology of Cultural Composition
5.1 Basis of Cultural Composition: Element Transformation
5.2 Composition of a Literary Quotation
5.2.1 Quotations from Chinese Literature
5.2.2 Functions of Literary Quotation
5.2.3 Methods of Literary Quotation
5.2.4 Conform to Non-conventional Patterns
5.2.5 Embedded Literary Quotation
5.3 Contrast Composition
5.3.1 Contrast between Ancient Times and Modern Times
5.3.2 Contrast between China and Western Countries
5.3.3 Contrast between Reality and the Virtual World
5,4 Exaggerated Composition
5.5 Aggregation in Composition
5.6 Misalignment Composition
5,7 Coordination Composition
5.7.1 Coordination of the Same Quality
5.7.2 Abstract Coordination
5.7.3 Alternation Coordination of Texture and Color
5.7.4 Coordination of the Space Complement
5.7.5 Fusion Coordination
5.8 The Soul of Cultural Composition: [roagery
5.9 Comparison of Cultural Composition Methodologies
Bibliography
6 Principles and Value of Cultural Design
6.1 The Cognition Approaches to and Principles of Cultural Design
6.1.1 The Cognition Approaches to Cultural Design
6.1.2 Principles of Cultural Design
6,2 Cultural Value Elements of Design
6.3 National Culture Is the Unique Resource for the Cultural Design of This Nation
Bibliography
Index
Postscript．
1.1 Nature of Composition Design
1.2 Development of Composition Design
2 Meaning of Culture
2.1 Significance of Culture
2.2 Material Culture and Non-Material Culture
2.3 Various Properties of Culture
2.3.1 Diachronism
2.3.2 Nationality
2.3.3 Region
2.3.4 Multi-media
2.3.5 Contextuality
2.3.6 Evolution
2.3.7 Blending
2.3.8 Tropism
2.4 Research on Culturology
2.5 Beauty of Culture
Bibliography
3 Elements of Culture
3.1 Elements of Chinese Culture
3.1.1 CulturalElements
3.1.2 Chinese Cultural Elements
3.2 Chinese Characters and Calligraphy
3.2.1 Development of Chinese Characters
3.2.2 Calligraphy
3.3 Seal Cutting
3.4 FineArts
3.4.1 Painting
3.4.2 Sculpture
3.5 Drama and Costumes
3.5.1 Drama
3.5.2 Trappings with Chinese Characteristics
3.6 Architecture
3.6.1 Characteristics of the Traditional Chinese Architectures
3.6.2 Palaces and Imperial Architecture
3.6.3 Religious Buildings and Temples
3.6.4 Landscape Gardens
3.6.5 Residential House
3.6.6 Pagodas and Others
3.7 Appliances
3.7.1 Furniture
3.7.2 Means of Transport
3.7.3 Lacquer Works and Other Containers
3.7.4 Stationery as well as Other Items
3.7.5 Tools
3.8 Handicrafts
3.8. 1 Pottery and Porcelain
3.8.2 Bronzewares
3.8.3 JadeWare
3.8.4 Toys
3.8.5 Paper-cut and Shadow Play
3.8.6 Cloisonn6
3.9 Folk Customs
Bibliography
The Structure of Cultural Elements
4.1 Analysis of the Difference between Cultural Elements and
Geometric Elements
4.2 Hierarchical Structure of Cultural Elements
4.3 Type Structure of Cultural Elements
4.4 Symbol Structure of Cultural Elements
4.4.1 Analyzed from the Relationship between Form and Meaning, Cultural Elements Are a Kind of Symbol
4.4.2 Cultural Elements Have Complicated Parts Called"Signifier" and "Signified"
4.4.3 The Formation Design of Cultural Elements Is a Kind of Formation Design ofBoth the Signifier and the Signified
4.5 The Multiple Attributes of Cultural Elements
4.5.1 Double-Form Attribute of Cultural Elements
4.5.2 The Double Meaning Attribute of Cultural Elements
4.5.3 Analysis and Application of Attributes of Cultural Elements
Bibliography
5 Methodology of Cultural Composition
5.1 Basis of Cultural Composition: Element Transformation
5.2 Composition of a Literary Quotation
5.2.1 Quotations from Chinese Literature
5.2.2 Functions of Literary Quotation
5.2.3 Methods of Literary Quotation
5.2.4 Conform to Non-conventional Patterns
5.2.5 Embedded Literary Quotation
5.3 Contrast Composition
5.3.1 Contrast between Ancient Times and Modern Times
5.3.2 Contrast between China and Western Countries
5.3.3 Contrast between Reality and the Virtual World
5,4 Exaggerated Composition
5.5 Aggregation in Composition
5.6 Misalignment Composition
5,7 Coordination Composition
5.7.1 Coordination of the Same Quality
5.7.2 Abstract Coordination
5.7.3 Alternation Coordination of Texture and Color
5.7.4 Coordination of the Space Complement
5.7.5 Fusion Coordination
5.8 The Soul of Cultural Composition: [roagery
5.9 Comparison of Cultural Composition Methodologies
Bibliography
6 Principles and Value of Cultural Design
6.1 The Cognition Approaches to and Principles of Cultural Design
6.1.1 The Cognition Approaches to Cultural Design
6.1.2 Principles of Cultural Design
6,2 Cultural Value Elements of Design
6.3 National Culture Is the Unique Resource for the Cultural Design of This Nation
Bibliography
Index
Postscript．
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