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Irish literature in English commands world-wide respect, but it is rarely discussed in a comparative light. This study of the making and unmaking of character commences with Balzac's impact on nineteenth-century Irish fiction. Sheridan Le Fanu links Balzac and Swedenborg to Yeats, and anticipates Elizabeth Bowen's deployment of ghost story conventions in the 1940s.
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Through painterly imagery, biblical quotation and the distortion of proper names, Le Fanu shows character to be a self-consuming project. Yeats' Parnell emerges as a modernist gothic hero of the 1930s. Bowen's The heat of the day anatomizes the problems of identity, bequeathed by Yeats.
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Radically revising the idea of a gothic tradition and traversing two centuries of Irish literary history, Dissolute Characters gives a fluent and detailed account of the emerging relation between Irish culture, modernism and politics.
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Through painterly imagery, biblical quotation and the distortion of proper names, Le Fanu shows character to be a self-consuming project. Yeats' Parnell emerges as a modernist gothic hero of the 1930s. Bowen's The heat of the day anatomizes the problems of identity, bequeathed by Yeats.
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Radically revising the idea of a gothic tradition and traversing two centuries of Irish literary history, Dissolute Characters gives a fluent and detailed account of the emerging relation between Irish culture, modernism and politics.
作者簡介
W. J. Mc Cormack is Keeper of the Edward Worth Library, Dublin
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