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Consistently praised as the best book of its kind, Listen uses readable, enjoyable prose and the highest quality recordings to introduce students to the art of focused listening. Captivating discussions and concise "Listening Charts" guide students through important musical works and cultivate listening skills. With informative images, useful historical and cultural background, and interesting biographical information, the text continues to offer students the best preparation to appreciate the styles and traditions of Western music. The seventh edition of Listen is more accessible than ever before with new, more teachable listening examples and a more focused and streamlined introduction to music fundamentals. An expanded range of formats for the text and recordings—including a new, affordable streaming music option and a new, all-inclusive e-book—gives you more flexible choices and more ways to listen.
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JOSEPH KERMAN, Professor Emeritus at the University of California at Berkeley, and GARY TOMLINSON, University of Pennsylvania, are leading musicologists and music educators. Between them, their course offerings encompass harmony and ear training, opera, world music, interdisciplinary studies, seminars in music history and criticism, and—many times—Introduction to Music for non-major students.
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Kerman's books include Opera as Drama (second edition, 1988), Contemplating Music (1985), The Art of the Fugue (2005), and studies of Beethoven and William Byrd. His lectures as Charles Eliot Norton Professor of Poetry at Harvard in 1997-1998 were published as Concerto Conversations (1999).
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Tomlinson, a former MacArthur Fellow, is the author of Monteverdi and the End of the Renaissance (1987), Music in Renaissance Magic (1993), Metaphysical Song: An Essay on Opera (1999), and The Singing of the New World (2006). He has also published on jazz and music historiography.
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