哈特詩歌和西方文化傳統：英文（簡體書）

This work argues that Kevin Harts poetry has a close relationship　with western traditions and there are dual realities in Kevin Harts poetic　space, and this space includes the elements of classicism, romanticism,modernisms(cubism,surrealism),dual tradition of theology (positive the-ology and negative theology), and French post-phenomenological thinking. The dual realities are testified to by some binary pairs in Harts poetry: the concrete, conscious, definite, familiar, natural, phenomenal, physical,and positive standing side by side with the abstract, higher, ideal, in-definite, intellectual, metaphysical, negative, philosophical, surreal, transcendental, and unconscious. The latter are achieved from the former　through a process of transcending or going beyond, and the mediums be　tween the two poles of binary pairs are death, denial, denudation, deprivation, dying, idealisation, negation, rejection, transgression, transcendence,and transformation.

Part I Introduc tion
Section I Introduction
　Section II Ha rt’S Backg round and Achievements
　Section III Literatu re Review．1978—2003
　Section IV Methodology
Part II From Classicism to Romanticism
　Section I Classical Elements in Hart’S Poems
　Section II Hart’S Romantic Internalized Quest
Part III Modernisms in Harts Poems
　Section I Elements 0f Cubism
　Section II Elements 0f Su rrealism
Part IV Harts Faith and the Dual Tradition of Theology
　Section I Positive Theology
　Section II Negative Theology
Part V Relingion without Religion
　Section I Questing fOr“Continuity of Being”through Desi re and Death
　Section II Seeking for“Exteriority”th rough Transcendence
　Section III Religion without Religion
Part VI Cone husion
Attac hments:
1.Bibliography
2.15poms by Hart in transiation