Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy
From reviews of the first edition:"The book is an essential source for understanding not only Cuba and its visual imagery but also the stuff of Latin American art."Artforum"Camnitzer . . . is s
Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the “
From 19 November 2013 to 6 April 2014, the Fondation Cartier pour l’art contemporain will be showing America Latina 1960-2013, organized in collaboration with the Amparo Museum in Puebla (Mexico). The
Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the
"Aesthetics of Collaboration" surveys the performances and methods of Panamanian artist Humberto Velez, while also shedding light on a tradition of participatory practices in Latin America and the Car
